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  • atom | Male | Utah

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LONGBOX JUNK - The World of Krypton

142 views • 10 days ago • (2) Comments

Welcome to Longbox Junk, the place to find all the comic book reviews you've never asked for!

 
Sorry about the delays between posts (I actually started writing this one June 12).  Between work really ramping up and my wife being in a car wreck (and in and out of the hospital, doctor appointments and such), I've had to put comic readin' and reviewin' on the back burner for a little bit.  But here I am, back at it!
 
SO. . .
 
If you've been reading Longbox Junk for a while, then you probably already know that I'm not much of a Superman fan.  If you're new to Longbox Junk, Welcome!  I hope you stick around for a while.  And by the way. . .I'm not much of a Superman fan.
 
But what I AM a fan of is a great comic book cover!  So when I spotted these three issues at the flea market recently for two bucks apiece, the cover for #3 immediately caught my eye, and I bought the set.  Seriously. . .scroll down and just LOOK at that cover!  It's a Bronze Age beauty if I ever saw one!
 
So I bought three comics featuring a character I don't even like much because I liked the cover on one of them and didn't want to break up the set.  It's just my sort of random way of collecting comic books.  It's Longbox Junkin' is what it is.
 
BUT. . .
 
When I got the comics home and was looking them up to enter them onto my COMIC BOOK REALM list (where I make a half-hearted effort to keep track of the gigantic pile of random comics I've accumulated over the years), something caught my eye.  Apparently, The World Of Krypton is regarded as the FIRST actual comic book mini-series.
 
I found it a bit strange that a little piece of comic history like this was. . .well. . .Longbox Junk.  In perfect-o condition, these issues are only "worth" about eight bucks each.  And yet I see they hold an acknowledged place in the comic book timeline.  I hadn't really intended ever reading these comics, but NOW my interest in them was raised.
 
Enough introduction! Let's take a look at these Bronze Age relics.  Are they an overlooked and undervalued piece of comic history?  Or do they rightfully belong on a folding table at a Utah flea market, flapping in the wind and sold for less than the price of a Big Mac meal at McDonald's?
 
Let's find out!
 

THE WORLD OF KRYPTON

DC (1979)

 
SCRIPTS: Paul Kupperberg
PENCILS: Howard Chaykin & Alan Kupperberg (Uncredited Layouts)
INKS: Murphy Anderson & Frank Chiaramonte
COVERS: Ross Andru & Giordano (Inks)
 

ISSUE ONE

THE JOR-EL STORY

 
THE COVER:
 
To me, kind of "Meh".  It's nicely-drawn and the background elements of the building and the ship in the sky are interesting, but there's nothing really here that grabs me and makes me want to read this comic.  
 
THE STORY:
 
After Superman discovers a memory tape on the moon that turns out to part of his father's journals, we join the Man of Steel as he learns about Jor-El's early life. . .beginning with his entering school as a brilliant student of science, but unfortunately not quite as brilliant at making friends outside of his studies.  
 
After graduation, Jor-El joins Krypton's fledgling space program, where he studies and then creates anti-gravity.  Unfortunately, his first anti-gravity ship crashes, stranding the young astronaut he has fallen in love with (Lara) and forcing him to travel to Krypton's moon to rescue her.
 
His next project is more successful. . .developing orbital "prison cells" where convicts sleep in suspended animation while undergoing rehabilitating hypno-training, after which they can become part of society again.  Now that he's become a successful and recognized scientist, Jor-El and Lara decide to marry.
 
Unfortunately, their application for marriage (Filed with Krypton's automated Matri-Comp marriage compatibility computer) is denied.  As Lara fights against the man Matri-Comp seems to have arbitrarily assigned her (despite her never meeting him previously), Jor-El fights against a criminal that has sabotaged his prison capsule and battles his pursuers using Jor-El's own stolen anti-gravity technology.
 
After defeating the escaped criminal, clues point toward a rival member of the science council as being behind the plot.  Returning to Lara, Jor-El discovers her hypnotized and declaring her love for a strange man.  Jor-El discovers that the Matri-Comp has developed intelligence and feelings, and has decided to marry Lara through an android proxy.
 
After destroying Matri-Comp and its android, Lara and Jor-El are finally able to marry, and we end the story at their wedding with Superman himself somehow being present, but with an assurance we'll be told why and how in the next issue!
 
To be continued. . .
 
THE REVIEW:
 
Say what you will about Bronze Age comics, but the writers of that era were able to pack a LOT into a little space!  The amount of story to be found in this issue would easily take up 3 or 4 issues of a modern comic.  But for all the information packed into this comic, it's actually a pretty brisk read.  
 
The story jumps from place to place a bit, and the whole back half involving Jor-El fighting against an escaped criminal and a marriage computer gone mad seems tacked on just to provide some action.  Despite these few things, I found this to be a decent read, even though Superman is probably my LEAST favorite comic book character.  
 
I think this story kept my attention mostly because with each page that went by, I kept wondering "How much more stuff can they put in this thing?" This single issue is like a Dagwood sandwich of comic writing!  It's a teetering pile of stuff crammed between two covers!  Even the bare-bones synopsis I provided above takes up six paragraphs.  
 
The art is. . .it's okay.  It compliments the story without trying to take it over.  I saw Howard Chaykin's name on this and was expecting something a little darker and grittier, but I guess this is one of those cases where the inker has more of a hand in things than usual.  The lines are a lot cleaner and sharper than what I would think of when I see Chaykin's name on a comic.
 
 
Overall, I have to tip my hat to Paul Kupperberg on this one.  His writing isn't fancy or flashy, or particularly deep, but he tells a story in one single issue that would take months of modern comics to tell.  It's not all good. . .there are definitely parts that seem tacked on for obligatory action scenes that could have been trimmed. . .but for the most part, this was a decent read.
 
NEXT!

ISSUE TWO

THIS PLANET IS DOOMED!

 
THE COVER:
 
Again, sort of "Meh".  I like the interesting details on the city of Kandor, but other than that, this just seems like a pretty unremarkable Superman comic cover.  Sorry Superman fans.  It's just me, I guess.
 
THE STORY:
 
We pick up the story shortly after Jor-El and Lara's wedding at the end of issue #1.  Jor-El and his father are attacked by an alien ice bird long thought to be extinct during a visit to Antarctic City.  Jor-El's father is severely injured and falls into a coma before being able to tell Jor-El his reason for the visit.
 
Jor-El searches his father's papers and makes a terrifying discovery. . .his father's research indicates that Krypton's planetary core is unstable and within the next few years, the planet is doomed!  Jor-El (and his trusted assistant, Kal-El. . .who is actually Superman trapped in the past on Krypton) wastes no time in trying to find a way to evacuate the planet.
 
Unfortunately, Kryptonian politics delay the project until Jor-El and several other scientists friendly to his cause pool their talents and own resources to at least try and save some of the doomed Kryptonians in gigantic space arks of Jor-El's design when the time comes.
 
Jor-El's father briefly regains consciousness and tells his son that the real reason behind their visit to the Antarctic was because he had discovered a gigantic alien ship in the ice. . .but dies before he can reveal the location.
 
As Jor-El searches for the alien craft, Kal-El designs a robot capable of doing the work of 100 men, and construction of the first Kryptonian evacuation ark begins.  
 
BUT THEN!
 
An unidentified craft attacks the capital city of Kandor, ripping it from the ground, and then shrinking the city before departing!  Along with Kandor goes the ark under construction, the super-construction robot, Jor-El's fellow scientists working with him on the project, AND the supply of rare fuel needed for the starships!  All hope seems lost.
 
With Kandor gone, Krypton is plunged into panic.  As the Kryptonians try to hold their society together without their capital city, Jor-El receives even more bad news. . .his assistant, Kal-El has gone missing (Superman discovered a way off-page to return to Earth and his own timeline).  Despite the crushing hopelessness of it all, Jor-El vows to continue with his project somehow, if only to save his own recently-born son, who is named Kal-El in honor of Jor-El's faithful assistant.
 
With the newly-reformed science council now behind Jor-El's research, he begins investigating other dimensions as an alternative to the gigantic space arks.  During his research, he discovers the Phantom Zone.  It's unsuitable for general habitation, but Jor-El convinces the Science Council that it would be a better place for criminals than the expensive system of orbiting suspended animation prison satellites he created years ago (in issue #1).
 
AND THEN. . .
 
Jor-El finally discovers the location of the crashed alien ship that his father had discovered!  It seems to hold all the answers needed to help the Kryptonians escape into space locked inside its strange technology.  Unfortunately, during a test flight, a criminal named Jax-Ur fires a powerful rocket, causing the alien ship to crash before completely destroying Krypton's moon, Wegthor!
 
Jax-Ur is captured and is the first criminal sentenced to the Phantom Zone, but the loss of the alien ship's technology and the destruction of the launching facility on Wegthor together spell the end of Jor-El's rescue plans for the people of Krypton.
 
To be continued. . .
 
THE REVIEW:
 
I THOUGHT there was a lot going on in the first issue.  The second issue ups the ante at least a few notches by bombarding the reader with so much story that even a major event like the capital city of Kandor literally being ripped from the planet and stolen by Brainiac takes up ONE page.
 
That's it.  Right there.  Capital City gone.
 
While I admired Kupperberg's compressed storytelling in the first issue, here it just seems like too much.  The story jumps from place to place so quickly that it's difficult to get invested in any one thing before it's gone and you're reading about something else.  Even writing the synopsis above, I glossed over several plot points for the sake of space and readability. 
 
Extremely compressed storytelling aside, this issue also seems strange because Superman himself plays a fairly large supporting role, with practically no explanation as to why or how beyond one single tiny editor box: 
 
We don't need no stinkin' exposition!
 
Reading this comic in 2021, I was able to hit the internet for more information. . .discovering that this story (for some strange reason) ties heavily into Superman #141, from 1960, which tells the story of how Superman accidentally ended up on Krypton in the past, got to know his parents, and fell in love, before managing to escape despite not having any powers under the red Kryptonian sun.
 
It seems like an odd story path in tying so strongly into a single Superman issue published almost TWENTY YEARS before the story at hand. . .especially during the Bronze Age, where comics weren't generally kept and collected the way they are now.  One wonders what the thinking was behind the idea, when there was really no way at the time for the average reader to go back and reference. . .well. . .just about ANYTHING not in the card catalogue at a library or in an encyclopedia (For my younger readers, they were a sort of multi-volume printed versions of Wikipedia that took up a lot of space.  Just kidding.  You know what an encyclopedia is, right?  , I feel old).
 
ANYWAY. . .
 
It just seems really strange to tie a good chunk of this story to a single comic book issue published in 1960.  Beyond the single editor note pictured above, Superman is just sort of. . .there. . .in full Superman garb for most of this issue without any further explanation.  Maybe they were afraid a Superman comic without Superman wouldn't sell?  
 
Overall, this issue suffers from some extremely compressed storytelling that causes the story to jump from place to place without any real time to dwell on any single story element.  Combined with the strange decision to tie this issue in with an issue of Superman published twenty years previously, this whole second chapter of World of Krypton seems a bit confusing.  It's not BAD, mind you.  It's just a little hard for me to get into.
 
NEXT!

ISSUE THREE

THE LAST DAYS OF KRYPTON

 
THE COVER:
 
Now HERE'S the winner!  What a glorious comic book cover!  I'm not even a Superman fan and I absolutely LOVE this cover!  The colors, the composition, the. . .everything! There's not a single thing I don't like about this piece of comic art.  It was worth buying this set of comics for this cover alone!
 
THE STORY:
 
Continuing from the previous issue, we follow Jor-El shortly after Jax-Ur is sentenced to the Phantom Zone for destroying Krypton's moon, Wegthor.  Because of the destruction, the Science Council votes to ban all further space travel and rocket research, despite the protests of Jor-El.
 
Unable to convince the Science Council of the need to evacuate the planet, Jor-El continues his research on his own, knowing that he will be condemned to the Phantom Zone if caught.  Suspecting Jor-El of disobeying their command, the Science Council secretly assigns an agent to follow and watch him.
 
Jor-El discovers a large piece of debris from the destroyed alien ship (from issue #2) orbiting Krypton and calculates it will land in the Scarlet Jungle.  He suspects it is the remains of the ship's engine.  As he waits for it to crash so he can retrieve the technology, Jor-El continues his rocket research, not suspecting that the Council's Agent, Par-Es is watching.
 
When the debris from the alien ship finally crash lands, Jor-El travels to the Scarlet Jungle.  Realizing he's being followed, he subdues Par-Es using his anti-gravity belt (that he invented in issue #1) and brings the wreckage back to his lab.
 
As earthquakes rock Krypton, Jor-El works to the point of exhaustion trying to build at least one working rocket to evacuate his wife and son from the doomed planet.  Unknown to him, he has contracted Scarlet Jungle Fever, which makes him weak and unable to resist the mental commands of a group of Krypton's worst criminals (including General Zod) plotting to escape the Phantom Zone.
 
Realizing something is wrong with her husband, Lara foils the escape plot and helps Jor-El recover from the fever.  He wastes no time in continuing to build a rocket, and finally manages to complete his work as the earthquakes wracking the planet cause the city to crumble around him.
 
Jor-El puts his son into the rocket, but Lara refuses to go with him. . .preferring to die with her husband and trusting that their son will thrive on his new homeworld of Earth.  As the rocket with baby Kal-El launches into space, the planet explodes behind him!
 
In the end, we witness baby Kal-El being found by the Kents in Kansas and we return to the present day, where Superman vows never to forget Jor-El and Lara, or the destroyed world of Krypton.
 
The End.
 
THE REVIEW:
 
Okay then.  Finally we get to the meat of the story. . .the destruction of Krypton.  This issue is a little more tightly-focused than the other two.  There are still some seemingly random plot threads thrown in (the attempted Phantom Zone escape comes directly to mind) that look like they're there to pad the length out and add a little action to the story, but not nearly as many as in previous issues.
 
Because of the tighter focus and relative lack of digressions, this issue is probably the best of the bunch, story-wise.  It's a relentless countdown from the Science Council outlawing space research to the explosion of Krypton, shown to the reader in a single glorious splash page. . .
 

The actual ending of the story, with baby Kal-El being found and Superman reflecting on his parents' lives, seems a bit rushed.  But then again, what should I expect after a dramatic countdown to a planetary explosion?
 
Overall, I enjoyed this issue a lot.  Where the first two seemed a bit overwhelming as they piled on information and story digressions, this issue was tighter and more focused, delivering a page-turner of a story that kept me invested even though I already knew the ending.
 

CONCLUSION

 
While doing a bit of basic research to try and ease my confusion over Superman himself playing a supporting role in issue #2 of this series, I discovered that MOST of this series is actually supposed to tie together a series of 27 "Fabulous World of Krypton" back-up features that had appeared in Superman comics during the 70's.  This explains why seemingly random story digressions kept appearing throughout.  
 
I also learned that the overall story was originally supposed to appear in DC's "Showcase" series as part of the lead-in to the Superman movie in 1978.  But then the movie was delayed and Showcase was cancelled before that could happen, leading to this interesting experiment by DC to build a coherent continuity to Superman's past becoming the very first comic book limited series.
 
Knowing that this whole affair was actually built from barely-related story elements written over the course of about twenty years gave me a new perspective on things.  Where I did see it as a bit of a mess, but still a sort of fun read.  I now see it as a valiant attempt to make one story out of many, with the explosion of Krypton the established ending.
 
Even knowing the story behind the story, I'm still not sure they entirely succeeded.  I called the first issue a "Dagwood Sandwich" because of all the story points stacked inside a single comic.  I'm thinking that, reading this with the benefit of 40 years' worth of hindsight, the editors might have done the writer a disservice by trying to cram EVERYTHING that had been written about Krypton up to that point into a three issue story.  
 
The final issue sort of bears this out with its tighter focus on the inevitable end of Krypton.  If the writer had maintained that focus through the whole series instead of having to diverge to things like the tale of Krypton's automated Marriage Computer somehow developing feelings for Superman's mother (from issue #1, for one example), this strange little piece of comic book history MIGHT not be relegated to the bargain bin because the story would be a lot more readable than it is.
 
As it stands, World of Krypton (mostly the first two issues) is just overstuffed to the point that it's bursting with things that don't move the actual story along.  Don't get me wrong. . .it's not BAD.  It's actually well-written and the art is interesting, but the story jumps from place to place as it tries to incorporate story elements from almost 30 different sources.
 
At the end of the day, not being much of a Superman fan, I found this series to be interesting more for the story behind the story than the actual story at hand.  If you are a Superman fan and are interested in "Pre-Crisis" Superman continuity, you'll probably get more mileage out of the actual story itself than I did.  
 
I'd say that just for its place in comic book history as the first limited series, World of Krypton deserves to be read at least once.  If you spot it in the bargain bin, go ahead and give it a look.
 
Up Next. . .
 
It's July!  I'm a bit late off the starting line, but how about some Captain America?
 
Be there or be square!

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Longbox Junk Halloween - DCeased #1

5039 views • Oct 29, '19 • (0) Comments

Welcome back to Longbox Junk. . .the blog packed FULL of comic reviews nobody asked me for!

Even though the witching hour draws close, we're still having a bit of Halloween fun here at Longbox Junk by taking a look at some of the spooky stuff hiding in the dark corners of my (and my daughter's) comic collection.

It's been a pretty nice Halloween season here at Longbox Junk if I DO say so myself. So far we've seen Vampires (Vegetarian and otherwise), Killer Easter Bunnies,  A sci-fi take on Jekyll & Hyde, Werewolves, Frankenstein's Monster, Spirits of Vengeance, Prairie Witches, and some generally nasty people doing nasty things (like burying each other alive).  So what's missing here?

Zombies.  We need some zombies!

And so here's some zombies.

What we have here is a fresh chunk of Longbox Junk that's on the stands even as I write this.  I only have the first issue because I basically bought it for the extremely Halloween-y zombie Batman variant cover and somehow have kept missing the following issues.  I'm sure I'll spot the whole set eventually in a bargain bin, but for now I just have this first issue, so let's take a look at it!

DCEASED

ISSUE #1

DC (2019)

 
 
So I bought this thing for the cover. Let's take a look at the cover, shall we?  
 
*shudders* Now THAT's some creep-tastic cover art right there!  Fransesco Mattina outdoes himself with a nightmarish vision of one of DC's greatest heroes gone straight to zombie !  Just look at the detail in things like Batman's nasty teeth and jaundiced eyes.  This is NOT the Batman you want to meet in a dark alley.  Very well done!
 
That's the cover.  Let's get into the story.
 

GOING VIRAL

SCRIPT: Tom Taylor
PENCILS: Trevor Hairsine & Stefano Gaudiano (pgs. 1-6, 15-26)
                    James Harren (pgs. 7-14)
COVER: Francesco Mattina (Variant)
 
The story goes like this. . .
 
We begin with the Justice League defeating Darkseid and forcing him to leave after he invades Earth. But as he goes, Darkseid gives the League an ominous farewell that doesn't quite sit right with the heroes. . .
 
 
Indeed, all is not as it seems.  Darkseid's invasion was merely a distraction.  His true purpose was to capture the hero known as Cyborg. . .now held prisoner on Apokolips.  Darkseid's search for the Anti-Life Equation has led him to believe that the second half of the Equation rests in Cyborg's technology. . .
 
 
Darkseid's scientist, Desaad, informs his master that although the combining of the two halves of the Anti-Life Equation is possible, the Equation will be lost entirely if Cyborg dies in the process.  To ensure that Cyborg doesn't die, Darkseid summons Death and uses him to slightly alter the Anti-Life Equation to make sure Cyborg survives the process. . .
 
 
The change that Darkseid makes to the Anti-Life Equation has disastrous effects as the corrupted Equation combining the physical and technological drives Darkseid insane.  Desaad quickly transports Cyborg back to Earth to try and stop the spread of the Techo-Organic Virus, but he's too late.  An insane Darkseid destroys Apokolips. . .
 
 
 
Cyborg reappears on Earth in Metropolis, and his internal systems immediately connect him to the internet and all surrounding online devices.  Cyborg is horrified to see the Techno-Organic Virus he's infected with begin to quickly spread among the people nearby.  He is unable to do anything to stop the Virus as people begin to go insane and tear each other apart. . .
 
 
In the meantime, Superman is putting together a plan with Big Barda and Mister Miracle to rescue Cyborg from Apokolips, not knowing that Cyborg has already been sent back by Desaad.  He hears the screams of people from the street and sees the spreading insanity.  Realizing  that the situation is already out of hand and getting worse, Superman rushes to his wife and son. . .
 
 
While Superman is busy saving his family from the spreading madness, the scene shifts to the Batcave, where Batman is monitoring the situation on isolated systems safe from the Techno-Organic Virus. . .and the news isn't good.  
 
The computer estimates that there are ALREADY 600 million infected people, and at the current rate of spread BILLIONS will be infected in a matter of days.  This is definitely a problem Batman can't punch a solution to!
 
 
 
Batman quickly sets off an EMP pulse in Wayne Manor above, but he's too late.  As the Dark Knight heads upstairs to check on things, he is attacked by an infected Nightwing and Robin (Tim Drake)!
 
 
After a brutal battle with his infected partners, Batman orders Alfred to escape and we are left with a cliffhanger scene of Batman being bitten by Nightwing. . .
 
 
 
The End.
 
Okay then.  There it is.  It's not a "Dead Rising Up And Slowly Wantin' To Eat Your Braaaaaains" sort of zombie apocalypse.  More of a "Virus Driving People Insane Enough To Kill You, So RUN!" sort of thing.  Despite the unique connection to the DC Universe by having the virus originate as a corrupted form of the Anti-Life Equation, it's still. . .well. . .it's just another zombie apocalypse.
 
Don't get me wrong.  It's not bad.  It's actually pretty good and makes me want to pick up the next issue.  The idea of a zombie apocalypse in the DC Universe IS an interesting one.  It's just that, do we REALLY need more zombies?  Okay, sure.  There's superheroes in this zombie story.  But really, hasn't that also been done before?
 
There's going to be inevitable comparisons between this and Marvel Zombies. . .but from what I've read of Marvel Zombies (which admittedly isn't very much, just a few issues here and there), they are two different things.  Sort of like how there's a definite difference between a Corvette and a Pickup Truck even though at the heart of it, they're both basically automobiles.  So despite what you may think, DCeased is NOT a copy of Marvel Zombies. 
 
The writer does a fine job.  I want to see what happens next.  There's nothing wrong with the writing.  The art is good, but not great.  I actually enjoyed the chunkier, darker look of the art during the Apokolips sections. . .it reminds me of the artist everyone else hated on the recent X-Force series that I liked (Dylan Burnett) enough that I pulled out an X-Force issue to see if it was the same guy.  I guess I just like that chunky, dark sort of style.
 
So nothing wrong with the writing or art.  It's just. . .zombies, I guess.  Maybe they could have told the story of a Techno-Organic Virus destroying the world without zombies? Maybe? I think they could have.  
 

CONCLUSION

 
What we have here is a well-written story with a DC Universe-specific angle on the extremely well-worn framework of a zombie apocalypse backed up with some good art.  It's interesting enough for me to want to get the next issue, but not interesting enough to make me want to order it if my local shop doesn't have the next one sitting there.
 
If you're a fan of zombie stories, then definitely pick this one up.  If you're getting a bit tired of zombies then this isn't really something you'll miss out on if you don't read it.  If you don't like zombie stories in the first place, then this won't change your mind one bit.
 
Up Next. . .
 
I think there's still time for at least one more piece of Longbox Junk Halloween fun!
 
Be there or be square.

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Sorry this is dropping a bit later than usual.  I took a few vacation days from work.  Because I deserve it.

But here we are now, right?  Let's go!

Welcome back to my unnecessary renumbering and reboot of the Longbox Junk blog!  To celebrate my 175th comic review that nobody ever asked me for, I'm taking a look at some individual #175 issues lurking in my (and my daughter's) collection.  This time out, I've pulled Superman #175 from my daughter's longboxes.

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Lobo is one of those characters I really like. . .but only in small doses.  

Some of my favorite mini's and one shots of my entire collection are Lobo.  With a great creative team and done right, Lobo is one of the most hilarious characters out there.  Unfortunately, the character never really seemed able to sustain a regular series.  I guess it's hard to keep the right level of comedy and brutality going long term.

The series at hand is NOT Lobo as you might know him.  It's a highly-controversial reboot of the character done during DC's New 52 days that seems to be pretty much hated by. . .well. . .everyone.

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Longbox Junk - A Death In The Family

7135 views • Dec 6, '17 • (0) Comments

"A Death In The Family" is a four issue "event" that, although it's pretty much considered a standalone story, ran in the regular ongoing Batman series in late 1988, early 1989 (Issues #426-429).  If you skip around the internet a bit, you're going to run across the story on just about any "Top (insert number here) Batman Stories" list you find. 

But is it really any good when a hard look is taken at it?  Or are people just knee-jerking it onto "Best Story" lists because of the impact on comic book history of the death of a major supporting character (SPOILER: Jason Todd Robin)?  Does the story itself hold up under scrutiny, or is it coasting along on the noteriety gained by having comic fans actually call a 900 number (anyone remember those?) and decide if Robin died or not?


Let's find out!

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Longbox Junk - World's Finest (Vol. 4)

5922 views • Jan 24, '17 • (0) Comments

It's a mini-series with a giant Batman/Superman robot AND Robin body shaming Batgirl!

What more could one ask for?

WORLD'S FINEST

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