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"I have a lot of issues. . ."

I write comic book reviews that NOBODY has ever asked for!

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Longbox Junk - Glory #1

474 views • 5 weeks ago • (0) Comments

Welcome to Longbox Junk, the blog absolutely STUFFED with comic reviews nobody asked me to write!

 
In case you haven't noticed by now, I spend a LOT of time digging through bargain bins.  I've noticed over the years that there are certain "staples" that no decent dollar box is ever missing. . .Image Comics is probably the biggest one of those staples.
 
If you are in a comic shop. . .it doesn't matter where that comic shop is. . .and you are going through a box of cheap comics, I GUARANTEE you're going to be finding some Image Comics.  I'd put money down on that guarantee and not worry one bit about losing it.
 
What I'm saying is that when it comes to Longbox Junk, Image is the King of The Hill. 
 
Now, don't get me wrong.  Since their founding in the 90s, Image has matured into the publisher you go to when you get tired of the same old superhero stories, but back in the beginning it was ALL superhero ALL the time. 
 
Image wanted to be Marvel SO badly, that when you read Image comics today, it's almost pathetic.  Their trying to grab Marvel's fans is so obvious and so blatant that I'm surprised they didn't get sued over their barely-disguised versions of established Marvel characters.
 
THAT SAID. . .
 
While Marvel WAS Image's biggest "inspiration", DC was definitely on their radar as well.  Image didn't have nearly the amount of DC "inspired" characters as they did Marvel, but they were there.  Supreme for Superman, ShadowHawk for Batman, and Glory for Wonder Woman (among others).
 
Which brings us to the comic at hand! 
 
Glory is a character created by Rob Liefeld in 1993.  She's the result of a union between an Amazon Queen and a Demon Lord, raised by her mother among the Amazons and becoming their greatest warrior.  She struggled with her dual nature and eventually left her home among the Amazons to live in the world of Man. . .first appearing as a heroine during World War II (Thanks, Wikipedia!).
 
See what I mean about Image's early characters being heavily "inspired" by established characters?  How they managed to avoid a pile of lawsuits is a mystery to me.  Obviously, from the description above, Glory is a blatant copy of Wonder Woman.
 
BUT. . .
 
I'm willing to give ANY comic a fair chance, and that's what I'm gonna do here.  So let's take a closer look at Image's version of Wonder Woman and see if there's anything to like, shall we?
 
WE SHALL!

GLORY #1

IMAGE (1995)

 
 
WHO WROTE THE BOOK OF LOVE?
 
SCRIPT: Jo Duffy
PENCILS: Mike Deodato
INKS: Mike Deodato
COVER: Mike Deodato
 
THE COVER:
 
You want 90s? You GOT 90s with this cover!  I don't even know where to start.  This cover has a LOT going on. Unfortunately, not much of it's good.  I DO like the black frame and the colors, but that's about it.  It's not the worst example of 90s art that I've seen, but it certainly hasn't aged well. You can definitely see what Image was trying to sell here. Let's just say I'm glad we've (mostly) moved along from this sort of thing.  
 
Let's get inside!
 
THE STORY:
 
We begin our tale in the middle of an ongoing conversation.  Our titular hero, Gloriana Demeter (AKA Glory) is at a meeting with the board of Factor Cosmetics.  Mr. Factors himself is trying to sell Glory on the prospect of being the spokeswoman for Factor's newest line of cosmetics. . .
 
 
Unfortunately for Mr. Factor, Glory doesn't seem to be interested in his somewhat offensive hard-sell technique.  She tells him in no uncertain terms that he has nothing new to offer her, and that pleasing normal men isn't interesting to her any longer after having been with the superhuman Supreme.  In the process, we get a brief bit of exposition on her decades-long superhero career during and after WWII. . .
 
 
 
Factors counters by telling her that the. . .ahem. . .Glory Days are long past and that she's no long a household name.  In the meantime, outside the window, Glory's friend and Brigade teammate Leonard Swann (AKA Vandal) kills a strange bird. . .
 
We discover that the bird was a spy sent by Glory's father, the demonic Lord Silverfall, who is watching Glory from his hellish castle in the underworld. . .
 
 

 
Back in the Factor Cosmetic boardroom, Glory refuses Mr. Factor's offer.  Factor does NOT take this well and begins to berate and harass Glory. . .perhaps unwise, when the object of Factor's attempted bullying is a superpowered half demon.  A fight breaks out and Factor's bodyguard pulls a gun!
 
 
Glory punches the bodyguard through the window, where he is saved from falling to his death by another one of her Brigade teammates waiting for her below, Flanders Edison (AKA Rumble).
 
 
Glory leaves the meeting and joins her friends below. She tells them what happened, and they think she let them off too easily.  The heroes leave the scene after Rumble changes back to normal size.  
 
He tries to tell the other two about an antique arcane book he's discovered, but Glory and Vandal ignore him as Vandal tells Glory about the spy from Lord Silverfall he found. . .
 
 
As Rumble and Vandal leave to go get some food, Glory is ambushed by some sort of demonic creature!
 
 
The End. . .To Be Continued!
 
THE REVIEW:
 
Allright.  There it is.  The first issue of Image's Glory.  Let's break it on down!
 
*Sigh* There's not much here to like, to be honest.  
 
There's no real beginning to this story, as we're dropped right into the middle of a conversation.  There's no real ending, with the issue just stopping at a cliffhanger surprise attack.  What's in the middle is really very short and doesn't shed much light on who Glory is, what she's about, and why we should keep wanting to read about her.
 
I've laid out my personal expectations for the first issue of a comic series quite a few times already here at Longbox Junk, but to sketch them out again, I expect a first issue to introduce characters and their situations in a new reader-friendly way and to leave me wanting more.  It's a pretty low bar.
 
Unfortunately, Glory #1 fails at both of these simple things.  There's a LITTLE bit of information about Glory here, but not nearly enough to qualify as a decent introduction to a new reader.  I had to go to Wikipedia to learn who the demonic guy watching her was (Her demon father, Lord Silverfall) and to learn that Glory is half Amazon and Half Demon.  Her teammates just appear out of nowhere and I had to hit Wikipedia to find out who THEY were as well. 
 
 I feel sorry for new readers in 1995 who didn't have Wikipedia, because this is a pretty lousy introduction.  It's obvious from the letters page to see that Image was fully expecting readers to go out and buy Brigade, Supreme, Youngblood, and several others in order to get the big picture.  What we have here is just a fragment.
 
As far as leaving me wanting more, Glory #1 fails even harder than it did in giving me a decent introduction to a new character.  After reading this and realizing I would have to dig into several other series to find out what's going on, I lost interest in ever wanting to know more about Glory.  
 
There's a definite stench of money grab wafting out of this comic.  From the cheesecake cover to the letter page listing out the *checks* TEN ISSUES from EIGHT different series you need to read to fill in the story past the fragment here, this whole thing reeks of a publisher trying to scrape every dollar they can from their fans.
 

CONCLUSION

 
Style over substance is good way to sum up this comic.  It's basically a cheesecake cover hook baiting Image fans into buying the first issue of a series that doesn't even introduce the main character very well and gives them no incentive to read more without shelling out ten times the cash they've already spent on this issue.  
 
If nothing else, Glory #1 serves as a perfect example of the desperation in Image's early sales tactics.  Other than that interesting bit of insight into the strange days of 90s comics, there's really nothing else I can recommend about this beyond a few nice panels of art (like the double page spread of Silverfall's castle I scanned above).  Maybe it gets better as it goes on, but this first issue leaves me completely uninterested in finding out if it does. Glory is a bargain bin mainstay, and now I see why.
 
Up Next. . .
 
He's a guy you do NOT want to see when he's angry. 
Yeah, you know who I'm talking about. It's the one and only INCREDIBLE HULK!
 
I recently got my hands on a half dozen of Marvel's "The Hulk" magazines from the 1970s. What say we take a look inside one and see what's going on?  Let's do it!
 
Be there or be square.

- read more

Longbox Junk - The Rocketeer/The Spirit: Pulp Friction

5618 views • Apr 5, '20 • (0) Comments

Welcome back to Longbox Junk, the blog stuffed FULL of comic reviews you never asked for!

Before we begin. . .

Sorry my posting schedule has become a bit spotty lately.  As the chief bonehead managing a skeleton crew running a hotel, I'm working various shifts 6 days a week for the time being.  It's a bit chaotic but at least I still have a job, which is more than a lot of people can say these days, so I ain't complaining.

ANYWAY. . .

The past couple months haven't exactly been a party, to say the least.  There's no news but bad news.  Heck, it's gotten to the point that I don't even want to read the paper or watch the news any more.  I've got about 60 rolls of toilet paper in my house, and I don't even know why.

Keeping that in mind, I've decided to try and keep things on the lighter side here at Longbox Junk.  There's not much that I can do about everything going on in the world, but hopefully MY small corner of the internet can be a place to visit and get your mind off of things for at least a few minutes.  I think we can all sort of use a place like that now and then these days.

SO. . .

How about we take a look at a Pulp-Tastic IDW/DC  intercompany crossover adventure featuring a team up between two of my favorite characters of all time. . .The Spirit and The Rocketeer?

It's The Spirit and The Rocketeer! Two of the most fun comic characters ever created.

How can this NOT be good?

LET'S DO IT!

THE ROCKETEER/ THE SPIRIT:

PULP FRICTION

IDW/ DC (2013)

 

ISSUE ONE

 
SCRIPT: Mark Waid
PENCILS: Paul Smith
COVER: Paul Smith
 
THE COVER:
It's great to see two of my all-time favorite heroes together on a comic cover!  I think the Rocketeer is better done, but then again, I love the design of the Rocketeer in general.  Overall, this is a great cover that shines the spotlight (literally) on both main characters in a big way.
 
THE STORY:
The Year: 1941.  The body of a man is discovered in California, which begins the mystery of how a dead Central City Alderman who had just been seen at a city council meeting on the East Coast ended up 3000 miles away in only eight hours.

Since the victim was a friend of Central City police commissioner Dolan, he recruits resident vigilante detective, The Spirit, to get to the bottom of things.  Dolan's daughter (and Spirit's sorta-girlfriend) Ellen insists on going as well (for some California sun), and Dolan grudgingly agrees to accompany them.

IN THE MEANTIME. . .

We see that the model who discovered the body is Betty, girlfriend of pilot Cliff Secord (AKA The Rocketeer), and that millionaire tycoon Benjamin Trask (on the West Coast) and elusive criminal "The Octopus" (on the East Coast) were behind the mysterious death.

Upon arrival in California, mistaken identity shenanigans ensue as Cliff's friend, Peevy, accidentally overhears the masked stranger (The Spirit) talking about taking care of business and assumes he's there to kill Betty.

Cliff flies to the "Rescue" as The Rocketeer and fights with The Spirit in the sky over the airfield until Peevy and Dolan recognize each other from the war (WWI, that is) and realize that there's been a big mistake.

On the ground, strained introductions are made and Cliff takes The Spirit to talk to Betty. . .who immediately falls for the square-jawed detective, much to the consternation of both Cliff and Ellen.

To be continued. . .
 
THE REVIEW:

This issue is pretty much concerned with setting up the central mystery, bringing the two main characters together, and introducing conflict between the two reluctant allies.  That's a lot to pack into a single issue, but veteran writer Mark Waid handles it all with ease.  The dialogue is snappy and everything moves at a fast pace. . .but not too fast.  Waid definitely keeps a steady hand on the wheel here as he pushes the pieces into their initial places.

Okay, the old "Heroes fight until the realize they're on the same side" crossover hook IS a very well-worn path, but sometimes you just have to go with a "If it ain't broke, don't fix it" attitude.  I've seen it done a lot worse in other comics.  It actually fits the story here instead of feeling forced.

The art here makes a good story even better with sharp, realistic lines and great facial expressions that make even scenes of characters standing around talking interesting to look at.  The action scenes are dynamic and have a great sense of movement.  The backgrounds are sparse, allowing the artist to draw the reader's focus to the detailed characters. The style serves this particular story very nicely.
Overall, a very nice first issue!  It quickly introduces the characters and conflicts in a very readable way. . .despite reliance on the good old "Heroes mistakenly fight each other" crossover hook.  The art style fits the story perfectly. 
 
I would have liked a little more information on The Spirit and The Rocketeer for new readers (but reading ahead I can see that's covered in upcoming issues, so no harm no foul) but other than that very small complaint, I call this one a winner!
 
NEXT!
 

ISSUE TWO

 
SCRIPT: Mark Waid
PENCILS: Loston Wallace
COVER: Paul Smith
 
THE COVER:
As big a fan of The Spirit and The Rocketeer that I am, I find this cover to be a bit "Meh".  Once again, it's great to see two of my favorites together on a comic cover, but this one just seems underwhelming.  Not that it's bad.  Just sort of. . .average.  Not really the kind of cover that makes me want to buy a comic.
 
THE STORY:
Now that our heroes are reluctantly working together, they head into the city to see if they can gain any clues from the autopsy of the dead Central City Alderman.

Since morgues are more in Dolan and The Spirit's wheelhouse, Ellen and Cliff find themselves making an unexpected connection while the two detectives meet with the coroner.  Dolan and The Spirit make the incredible discovery that the organs of the dead man are scrambled beyond recognition. . .another mystery!

Meanwhile, back at the airfield, Peevy and Betty discover an image of the dead man burnt into the screen of Peevy's experimental homemade television set. . .adding yet more to the mystery at hand.

Cliff, Dolan, Ellen, and The Spirit rush back to the airfield to check out the new wrinkle in the case.  Shortly after they arrive, the airfield is attacked by two airplanes armed with machine guns!  Cliff jumps into action as The Rocketeer, and The Spirit insists on helping.

After a tense mid-air battle, the attackers are taken down.  Dolan and Peevy interrogate the captured pilots and discover they are working for Millionaire Tycoon Benjamin Trask.  Deciding to follow up on this new clue, the pair of heroes make plans to follow Trask to Central City.

IN THE MEANTIME. . .

While the airfield is being attacked, Betty is auditioning for a producer that is promising to make her the first star of America's newest form of entertainment, television.  It turns out that the producer is none other than the newly-discovered villain, Benjamin Trask.  DUN-DUN-DUN!!

To be continued. . .
 
THE REVIEW:
Now that the two heroes are in the same place and on the same side, Mark Waid begins adding layers to the mystery with an issue that is mostly the characters finding and following clues. . .with a nice bit of aerial action thrown in.  The dialogue remains snappy and light, making the story move along at a very nice pace.  We get to see both The Rocketeer and The Spirit doing what they do best. . .The Spirit as a detective and Rocketeer in high-flyin' action, with both characters getting their own moments in the spotlight.  All in all, very nicely done.

We get an artist change in this issue as well.  The style is a little lighter, less realistic and more cartoony than in the first issue, but I think it fits the story even better!  I've never heard of Loston Wallace, but a quick dive into the Wiki-Well tells me that he's mostly known for illustrating "all ages" comics for DC.  I really enjoy his art style a lot and his work here is excellent.  I wish he had more regular comic work on his resume I could keep an eye out for!


Overall, we have a great second issue here.  It adds to the mystery at hand, gives The Spirit and The Rocketeer both time in the spotlight, and features some really enjoyable art.  There's nothing I can possibly complain about here!  This is the kind of comic book that really makes me want to jump right into the next issue.
 
So let's do it!
 
 

ISSUE THREE

 
SCRIPT: Mark Waid
PENCILS: J Bone
COVER: J Bone
 
THE COVER:
J Bone is an artist I don't really know, but his chunky cartoon style works a lot better on the delightful interior art than it does on this cover.  It's not BAD. . . I love seeing two of my favorite characters together on a comic cover, and it's sort of fun, but there's just something missing. . .
 
THE STORY:
Moving from sunny Hollywood to the cold and snowy streets of Central City, we begin the story inside The Spirit's crypt hideout where he is recounting his origin to The Rocketeer, who is understandably disturbed by hearing such a strange story from a dead man in the middle of a cemetery. . .
 
IN THE MEANTIME. . .
 
Betty and Trask have also arrived in Central City, and Betty is put up in a suite at the swankiest hotel in town.  Their arrival has not gone unnoticed by Commissioner Dolan's informants.  The Spirit, Dolan, and The Rocketeer make ready to confront Trask.
 
While the heroes make their plans, the full scope of the villainous plot is finally revealed as Trask meets with Central City Crime Lord, The Octopus in a dockside warehouse.  
 
It seems that Trask and Octopus have been working with a German scientist named Goessel and have discovered a way to use the new technology of television to transmit not only images, but matter!  A secret that Trask demonstrates during a television meeting of various powerful American crime figures by firing a machine gun at them through their television screens!
 
After Trask's demonstration seals an alliance among American organized crime, he returns to the hotel where Betty is staying, along with Goessel and the television/teleportation equipment.  He reveals to Betty that he was merely using her as bait to lure The Spirit and The Rocketeer to him.
 
As the Rocketeer attacks the hotel, Goessel uses the teleportation camera on Betty, teleporting her to the warehouse where The Spirit is attacking The Octopus' gaurds.  Unlike the dead Alderman at the heart of the original mystery, Betty survives the teleportation intact and alive, but her mind is practically blank and leaves her completely open to suggestion.
 
As The Rocketeer battles his way through the streets of Central City in pursuit of Trask, The Octopus' minions subdue and capture The Spirit in the warehouse.  The story ends with Octupus and Goessel preparing to have the mind-controlled Betty kill The Spirit live on television for the viewing pleasure of their new organized crime allies. 
 
To be continued. . .
 
THE REVIEW:
As we head into the big finish of Pulp Friction, this issue very nicely sets up the final confrontation between our heroes and the villains by revealing the master plan behind everything that's happened so far.  Yeah. . .it's kind of corny when you think too hard about it, but on the other hand, it's also a lot of fun!  
 
Mark Waid channels his inner Golden Age and gives us the kind of story you'd expect if this comic were actually written on the edge of an emerging technology like television.  It's complete fantasy based on speculation and possibility. . .but those kind of stories were common in the years when this comic is supposedly taking place.  A bit of modern suspension of disbelief is needed, but I think Waid pulls off bringing the reader into the Golden Age quite well.
 
All that AND we get a great little retelling of The Spirit's origin story!
 
We also get ANOTHER artist change with this issue.  Like I said in the look at the cover above, I'm not familiar with J Bone (and wasn't really impressed with the cover), but his chunky, exaggerated, darkly-inked art style is a great look for this issue!  I have to confess that I'd rather have seen more of Loston Wallace's work on this, but with J Bone's art and the great sense of movement it has, I can easily imagine this story as an animated feature!  
 
 
Overall, writer Mark Waid very nicely sets things up for the big finish with an action-packed issue that brings the Golden Age of comics onstage in a big way.  Another art change gives us a glimpse of what this would look like as an animated movie.  It looks great, but I wish that they would have stuck with one artist through the whole series.  That very small complaint aside, this issue is a winner in my book, and everything is standing strong heading into the final issue.
 
AND FINALLY. . .
 

ISSUE FOUR

 
SCRIPT: Mark Waid
PENCILS: J Bone
COVER: J Bone
 
THE COVER:
This cover by J Bone actually works a lot better than the one he did for the previous issue.  His cartoony animation style art perfectly fits this "Damsels in distress" shot.  The colors give a great contrast to the two leading ladies of the story.
 
THE STORY:
Continuing from last issue, The Spirit manages to break through Betty's mind control and she frees him.  As the Octupus sets his henchmen on Betty and The Spirit, the police and The Rocketeer arrive on the scene in time to win the fight. . .but just a moment too late to prevent The Octopus from escaping.
 
With everyone safely reunited, The Octopus' and Trask's henchmen arrested, and the mystery of the dead Alderman solved, it seems that all that is left is to track down Trask, Goessler and The Octopus in order to bring them to justice.  
 
But as the heroes ponder what their next move will be, they suddenly realize that the plot goes much deeper than they thought as they see on a television screen running at the warehouse that Trask is filming President Roosevelt live on television at the White House!
 
Knowing they have to take action quickly in order to save the President, the heroes use the teleporting equipment at the warehouse to transport Roosevelt to them. . .but they also accidentally teleport a squad of Ratzi (BECAUSE I JUST NOW DISCOVERED THAT CBR'S FILTER WON'T LET ME WRITE N-AZI) soldiers that Trask was teleporting from Europe (in partnership with a Ratzi General) to assassinate Roosevelt.
 
The heroes manage to get President Roosevelt to safety before the fighting begins by strapping The Rocketeer's jet pack on him and shooting him out of the warehouse. . .and then it's Ratzi Punchin' Time!
 
As The Rocketeer and The Spirit take down the Ratzi assassination squad, Trask's Ratzi General ally destroys the teleport connection between Europe and kills Trask by transporting explosives through the television. . .erasing the evidence of the Ratzi plot to assassinate Roosevelt.
 
Later, at the White House, President Roosevelt allows The Rocketeer to keep his jet pack (which IS officially stolen government property) in exchange for keeping the secret of The President's polio, which was discovered by The Rocketeer during the warehouse battle.  The Spirit and Rocketeer say their goodbyes before departing to their respective cities, having earned each others respect and becoming friends and allies during their adventure together.
 
The End.
 
THE REVIEW:
And everything wraps up very nicely in an action-packed final issue that takes time at the end to slow down and pay a lot of respect to two of my favorite heroes as the bow on top of the package.  I really couldn't ask for anything more.  The end of this issue just brings a smile to my face.  In these times, that's something that's sort of rare these days.  Mark Waid definitely hit it out of the park with this issue.  No. . .with this whole series!
 
J Bone stays on art for this final issue, and everything good about his chunky animation-style art from the third issue stays good here.  You can almost imagine seeing these panels in motion on a T.V. screen.  I think I'm going to keep my eye out for some more of his work now.
 
Overall, this was a great finish to a great series!  Everything wrapped up nicely and as a big fan of The Spirit and The Rocketeer, the ending made me happy and wanting to see more adventures with them teaming up.  The only complaint I have is that this is probably the only time I get to see these two great heroes in the same comic.  Other than that, I've got nothing bad to say about this.
 

CONCLUSION

 
I have to confess that I cheated a little on this one.  
 
Most of the time when I do a Longbox Junk review, it's either my first time reading a comic or the first time in so long that I don't really remember much about it.  This time out, I picked a series that I ALREADY knew was good and have enjoyed reading several times.

I just didn't have it in me to throw out anything too negative right at this moment.  I'll get back to gritting my teeth through some lousy comics soon enough, just not right now. Fair?
 
ANYWAY. . .

As you can tell from the reviews of the individual issues, I don't have much bad to say about this series:   The Rocketeer didn't get much background information compared to The Spirit, which doesn't matter to a fan such as myself, but might be an oversight when it comes to new readers who might not know these characters.  A couple of the covers are "So-So".  Some people might think the whole "Heroes fight until they realize they're on the same side" crossover setup is a golden oldie that needs to be retired (I thought it worked here better than it usually does).  Some people might think that Ratzis being the ultimate villains is a bit tired (okay. . .maybe they're right).

BUT. . .

Those are small complaints when you take in the overall view of this series:  It has a pretty good story bringing together two great pulp heroes for the first and probably only time.  It showcases some great art.  Most of all. . .it's FUN!  Mark Waid  successfully brings the nonsense of the Golden Age into the Modern Age and it's just a plain old good time!

If you are a fan of pulp adventures or are just looking for some fun comics, then I heartily recommend this series. I bought this one off the rack when it was coming out, but I've seen the issues in back issue bins and it's been collected in both hard and soft cover.  It's also available on Comixology for you high-tech folks out there.

Up Next. . .

I'm not really sure.
I've been digging through my daughter's comics for some Marvel-Style fun.
Right now, I'm reading a pretty good Spider-Man/ Human Torch five-issue mini that might be just what Longbox Junk needs to stay on the light side of comics next time out.  Until then. . .

Be there or be square!

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Longbox Junk - Black Canary (Part 2)

3029 views • Mar 11, '20 • (1) Comment

Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for that you could ever ask for!  Wait. . .does that even make sense?  It does to me!

So here we are at the back half of DC's short-lived 1993 attempt at a Black Canary solo title.

I was a bit disappointed with the first six issues.  It's not that they're BAD, it's just that they could have been a lot better with a bit more effort by a stronger creative team.  As it stands coming into the second six issues, things are pretty average and not very memorable.  It's a decent read, but I just want a LITTLE more.

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Longbox Junk - Black Canary

7027 views • Feb 11, '20 • (1) Comment

Sorry about the delay on this one.  I actually had it done last week, but I accidentally deleted the draft and had to completely re-write it!

ANYWAY. . .

Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for!

- read more

Longbox Junk - Off-Brand One Shots (Part 5)

1586 views • Jan 2, '20 • (0) Comments

Welcome back to Longbox Junk! It's the place to find all the comic book reviews you never asked for!

My apologies for a bit of delay during some nice, brisk holiday business, but that's what happens when you manage a hotel.  I should have plenty of time for some good Longbox Junkin' during the next few slow winter months ahead.

So, back to Longbox Junk business as usual. . .which for now at least is working my way through a stack of non-DC/Marvel single issue stories I came into as part of a pretty massive purchase of about 600 comics from a closing comic shop.  I call them Longbox Junk Off-Brand One Shots!

My comic lovin' daughter has been pulling the comics I've been reviewing lately.  She made me squirm a bit last time out by giving me a bunch of -tastic comics I couldn't take to work without risking an awkward HR appointment, and couldn't read in front of my wife without earning a bit of silent mockery regarding my questionable reading habits. . .but there were actually a couple of pretty good ones in there despite my daughter's best efforts.

Let's see what she's given me this time.  Off Brand One Shots. . .Let's do it!

DIESEL

ANTARCTIC PRESS (1997)

 
MASTER OF DRAGONS PART ONE
SCRIPT: Joe Weltjens
PENCILS: Joe Weltjens
COVER: Joe Weltjens
 
THE COVER:
Hooray! I can read this one at work! I like the portrait style on this cover.  The main character looks a little generic. . .I'm expecting a discount Dollar Store version of Hulk, Wolverine, or a combo of the two inside.  That said, he's well drawn and nicely contrasted in the frame against the black background.  The title seems to be about twice as big as it needs to be, but overall this is a pretty good cover.
 
THE STORY:
 
When Thomas Diesel decides to unexpectedly visit an old friend, he discovers that his mentor (and her father) has been killed.  Worse, the killer is the same man who killed Diesel's own father in the past.
 
Diesel is prevented from rushing into a foolhardy act of vengeance by being asked to join a group of others that have the same power as he does. . .the ability to manifest super-powered avatars known as "stands". . .and fight together to take down the killer.
 
Unfortunately for the fledgling team, Mr. Botha (the killer) has anticipated their move and has sent an assassin to destroy them.  After a brutal battle where several of the team are taken down, Diesel confronts the attacker on his own and manages to defeat him.
 
It is at that moment that a mysterious warrior called Chibot appears and tells Diesel that he has passed some sort of test. . .
 
The end.  To be continued.
 
THE REVIEW:
It seems that a lot of these Off-Brand One Shots are unfinished projects.  So it is with Diesel.  This obviously was supposed to be the first issue of a larger story.  It starts in the middle, hits the ground running with explanations assumed to be coming later, and ends on a "to be continued" cliffhanger.
 
Unfortunately, the "start in the middle of the story" nature of this issue makes it practically unreadable except for the most basic understanding of what's going on.  If this were part of an ongoing or limited series, one would expect information to be forthcoming in coming issues.  Instead, this bare-bones introduction is all there is. . .and based on what there is of it, I'm not sure I'd be interested in reading more even if there was more to read.
 
Putting aside that this is basically a story fragment, it's just not written very well.  It almost looks like a translation from another language, like if this was an imported Manga.  There's nothing in the indicia to show that it's been previously published or translated, so I'm thinking the stilted, somewhat confusing way the characters speak is just how it was written instead of the fault of a translator.
 
 
On the art side of things, it's okay.  Not good, not bad.  Just riding right down the center line of telling the story without trying too hard to impress.  It's in Antarctic's signature "American Manga" art style that I usually like a lot, but this isn't really the best example of that style.  
 
Overall, this is a pretty poorly-written story fragment that is practically unreadable because it starts in the middle of the tale and ends on a cliffhanger with little information on what the is going on to be found in between.  What there is of it doesn't really make me wonder what happened next.
 
THE FINAL VERDICT:
I'll give this one 2 out of 5 obvious Hirohiko Araki "inspirations"
 
Not a great start.  Moving along!
 

ROBOCOP:  KILLING MACHINE

AVATAR PRESS (2004)

 
KILLING MACHINE
SCRIPT: Steven Grant
PENCILS: Anderson Ricardo
COVER: Juan Jose Ryp
 
THE COVER:
I love RoboCop, but this cover is pretty bad.  It's hyper-detailed to the point of it being so busy and cluttered that those details are lost in the mess.  It's like the artist didn't know when to stop.  Hopefully, the story inside is better.
 
THE STORY:
When a bored rich kid's hacking attacks on Detroit's traffic grid are constantly thwarted by RoboCop, he attempts to hack into the robotic police officer's original OCP programming.  
 
Instead of finding a way to control RoboCop, the hacker discovers and activates an experimental combat robot that was never put into production.  As the "Urban Pacifier" wreaks havoc across Detroit, Robocop confronts the killing machine and, even though he is physically outmatched, defeats it through human ingenuity.
 
Due to the sudden destruction of the killing machine and his inability to disconnect from controlling it, the unfortunate hacker finds himself mentally imprisoned and unable to escape the internet as his body falls into a coma.
 
The End.
 
THE REVIEW:
Like I said above, I love RoboCop and was happy to see a comic with a character I actually know.  Unfortunately, this isn't a great RoboCop comic.  It's extremely short. . .coming in at a slim 10 pages long, with the rest of the comic taken up by ads for upcoming Avatar comics and their MANY variant covers.  It's basically a short fight scene with a sort of interesting twist ending that is over and done with before you know it.  I literally read this comic in about 5 minutes.  
 
There's also a lot of gratuitous "adult" language in here that just seems thrown in for. . .reasons?  This whole thing just seems like it should be a single scene in an actual RoboCop comic, or maybe a short story in an anthology.  It's just way too short and ultimately forgettable.
 
This is literally the only page of this story without an "F-Bomb" on it.
 
As far as the art goes, it's pretty good.  It has bold lines, is brightly colored, and tells what little story there is well.  It doesn't strive for excellence in any way.  It does the job and that's all it does.  It's pretty much as forgettable as the story is.
 
Overall, what we have here is an extremely short and forgettable story backed up with some artwork that doesn't try to go beyond the level of "pretty good".  Thanks to HALF of this issue being ads for variant covers, this comic feels more like a preview than an actual story. If I had paid the $2.99 price on the cover, I'd feel about two buck's worth of ripped off.  Disappointing.
 
THE FINAL VERDICT:
I give this one 2 out of 5 Convention Special Gold Foil Wraparound Limited Variant Covers.
 
So far, this isn't going well at all.  NEXT!
 

YOUNGBLOOD SUPER SPECIAL

MAXIMUM PRESS (1997)

 
GOOD ENOUGH
SCRIPT:  Eric Stephenson
PENCILS: Chris Sprouse
COVER: Chris Sprouse
 
THE COVER:
Hmmmmm. . .I can't really decide if I like this cover or not.  On the one hand, it's pretty well drawn, I like the bold lines and dark inks. It's colorful, and I like the arrangement of the characters looking like they are being sucked into (or maybe blown out of?) the center of the cover in a pretty dynamic way. 
 
On the other hand, the characters themselves are just SO 90's.  There's cybernetic limbs, pouches, straps, and big shoulder pads all over the place. They just look like a bunch of generic off-brand X-Men (actually Wikipedia tells me Teen Titans were the Youngblood inspiration).
 
THE STORY:
When a routine training mission goes wrong and their transport plane crashes in an isolated forest, members of Team Youngblood, including four young new recruits, are all challenged with making life or death choices after they are separated from each other.
 
In the end, it is revealed that they were being tested by an immortal alien race in order to judge one of the recruits who is actually one of them in a regressed human form.  He is judged a failure and sent elsewhere for further testing, but the beings invite another of the young recruits that has impressed them to join them.  
 
The alien beings erase the memory of the tests and the two missing recruits from the minds of the Youngblood team and life goes on as if nothing ever happened.
 
The End.
 
THE REVIEW:
I came into this comic knowing absolutely nothing about Team Youngblood or any of the characters involved with it.  The story did a pretty good job of introducing the characters without a lot of obvious exposition, which was a big plus in my book.  It seems that a lot of the Off-Brand comics just sort of assume that you're already a fan and throw you right in.  This one is actually pretty new reader friendly and spends a little time getting to know the characters you're reading about.
 
The story itself isn't anything new.  The "twist" of none of it actually happening and the heroes being tested is fairly easy to see early on.  That said, for a bunch of characters I knew nothing about, this was a pretty good read.  I'm not saying it's the BEST comic story I've ever read, but I'd be interested in reading some more Youngblood if I came across it. 
 

 
As far as the art goes, it's pretty typical 90's superhero art.  There's straps, pouches, and shoulder pads all over the place.  That said, it's not the worst 90's art I've seen.  It's pretty clean and uncluttered, and there are a few very nice moments to be found here and there.  The colors are a bit garish in places, but not so much to be distracting.  There's actually a bit of effort to be good here.
 
Overall, what we have here is a surprisingly new reader-friendly superhero story backed up with some decent 90's style art that makes a better than average attempt to impress.  It's not a GREAT story, but it's good enough to make me interested in maybe checking out some more Youngblood comics.  Not too bad.
 
THE FINAL VERDICT:
I'll give this one 3 out of 5 giant shoulder pads.
 
NEXT!
 

AIRMAN

MALIBU (1993)

 
SHALL THE SEA GIVE UP HER SECRETS?
SCRIPT: R.A. Jones
PENCILS: Matt Reynolds
COVER: Thomas Derenick
 
THE COVER:
Not a bad cover here.  Not great, mind you. . .but I think I'd give this one a turn up on the "Wall O' Covers" at work.  The main character looks like a knockoff Hawkman, but I'm liking the colorful and old-school style of this cover. It has an interesting late Bronze Age feel to it.  The menacing villain has a kind of Egyptian look to him, which makes me expect an Off-Brand Hawkman story inside even more, but this isn't a bad cover at all.  I like it.
 
THE STORY:
High-flying hero Airman receives a distress call from old friend and fellow superhero Thresher telling him that he has been captured.  As Airman rushes to the location he was given, we learn that Thresher is being tortured by a  villain known as The Conqueror, who is trying to gain information on something called "The Secret of The Doors".
 
Airman arrives at the isolated island prison and breaks Thresher free so that he is able to enter the ocean and rejuvenate his powers.  After Thresher has recovered, the pair of heroes decide that rather than escape, they will attack!
 
Thresher and Airman attack The Conqueror's base, taking the villain and his minions by surprise.  During the brutal battle, the Conqueror makes his escape with Airman in hot pursuit.  Unfortunately, he has enough of a head start that Airman is unable to keep up and the villain gets away.
 
Returning to the prison, Airman tells Thresher the bad news and then invites the aquatic hero to join the group of heroes Airman has recently become part of known as The Protectors.  Thresher agrees to meet them, but doesn't give a definite answer.  Elsewhere, we see that the Conqueror was actually working for another villain called "The Great Question", who has some sort of ultimate plan involving The Protectors.
 
The End.
 
THE REVIEW:
This was a pretty good read overall, but there's some definite problems.  When I read a one-shot, I expect a story told in a single issue.  One and done.  You don't get that here.  Okay. . .you DO get a self-contained story about one hero breaking another out of prison, so there's that. 
 
 Unfortunately, this comic seems to be filling some sort of continuity hole in Malibu's (then existing) superhero "universe" (how Thresher joined up with The Protectors), and in doing so, references events taking place elsewhere, leaves plot threads hanging for resolution in another series, and ends on a "To be continued" note directing readers elsewhere for the actual ending of the story.
 
Because of these connecting threads to other comics, THIS comic is not new-reader friendly at all.  It's assumed you know these characters and situations from elsewhere coming into it.  This is less of a stand-alone story and more of an episode taking place in the background of an ongoing series.
 
But like I said above, it's still a pretty good read.  The story is simple and action-packed, moving across the page for a nice quick read. Straight superheroics with nothing deep or complicated to it. There's JUST enough exposition to keep from having to hit Wikipedia to understand what's going on and who the characters are, which is more than some of these off-brand one shots give you.
 
The art here is actually the best part of this comic.  It's not the greatest art I've ever seen, but I like it quite a bit.  The lines are thick and dark, the characters have a sort of chunky feel to them and everything is nicely detailed.  The colors are great.  It has an obvious Barry Windsor-Smith Rune-era inspiration to the style, which in my book is a good thing.  Some of the faces are a bit too exaggerated, given the otherwise pretty realistic look, but other than that, this is a good looking comic.
 
Overall, I'm disappointed in this being a "one shot" that is actually a background scene in another ongoing series, but it's a still a pretty good read backed up by some decent discount Barry Windsor-Smith style art.
 
THE FINAL VERDICT:
I'll give Airman 3 out of 5 editorial box notes referencing previous issues of another series.
 
AND FINALLY. . .
 

DEATHANGEL

LIGHTNING COMICS (1997)

 
SCRIPT: John Cleary
PENCILS: John Cleary
COVER: John Cleary
 
THE COVER:
A lot of these Off-Brand comics I've been handed have a heavy Rob Liefeld influence.  This one takes a swerve into the lane of the OTHER 90's mega-influential artist. . .Todd McFarlane.  I've sort of been wondering when I was going to see some McFarlane-style covers.  When you have a pile of 90's comics, it's only a matter of time.
 
The Spawn is strong with this one, especially in the Violator looking creature at the bottom.  I like the colors here, everything is nicely-detailed, and the logo is great!  Yeah, you have to look twice to make sure it's not a Spawn comic, but it's not too bad, for what it is.  I'm actually surprised that a 90's comic cover featuring a female hero doesn't have a giant set of in my face, so extra points for that.
 
THE STORY:
Eons ago, the demon scribe called Scrum is tasked with creating The Necrinomicon, a book that will imbue a human host with the powers of and transform them into an evil champion of Satan called The DeathAngel.
 
Moving forward in time to 18th Century England, we witness the forces of led by the Archangel Raphael defeating a fallen Angel-turned DeathAngel named Susanna.  After the battle, the Necromonicon is lost in time. . .
 
. . .until 1997, when divers exploring the wreck of a pirate ship accidentally discover the evil book.  It destroys the Captain and crew of the ship and then steers the vessel toward New York City, where it senses a human host worthy of its power. . .
 
As F.B.I. Agent Rachael Killian and the the NYPD investigate the mysterious ghost ship that ended up in New York with a crew of dead men, the Necronomicon is found and taken by Killian for testing at F.B.I. headquarters.  As Rachael translates the writing in the book, she reads an intriguing passage out loud. . .AND YOU KNOW WHAT HAPPENS NEXT!
 
Powerful forces rip through the unsuspecting F.B.I. agent's body as she is transformed into the half-naked warrior of , The DeathAngel!  The transformation does not go unnoticed in either Heaven OR .  The Demon Scrum heads to Earth to welcome 's newest warrior.  The Archangel Raphael heads to Earth to stop her.
 
Reveling in her new power, the transformed DeathAngel kills a man as he attempts to rape a woman.  The Demon Scrum berates her for the good deed, telling her that the rapist was an ally of and that she shouldn't have intervened.  Rachael tells the Demon that she's not interested in serving and the two engage in battle.
 
Raphael shows up during the battle and ends it, mocking Scrum and telling him to deliver the message to Satan that the book chose the wrong host, Rachael has the light of the Lord within her.  After the Demon leaves, swearing vengeance, Rachael agrees to join Raphael's Warriors of Light and use her new powers in the service of .
 
The End.
 
THE REVIEW:
No.  Not good.  Pretty bad.  The McFarlane inspiration on the cover heads inside and we get basically a sort of female Spawn.  A character with the power of that chooses to fight evil with the Demon Scrum basically outright imitating Spawn's Violator.  There's also some beats swiped from Witchblade thrown in for good measure, because if you're gonna grab someone else's ideas, why stop at one?
 
To make matters worse, this comic is poorly-written.  The dialogue is extremely wordy, repeats itself often and honestly reads like it was written by a D&D Dungeon Master testing out the unedited first draft of his novel disguised as an adventure scenario on his unsuspecting game group.
 
Then there's the art.  My . . .the art.  Take a look at the page I scanned above.  Do I really need to say anything other than 22 pages of that gave me a headache?  I literally wanted not to read this comic because of that over-cluttered art.  But I ain't a quitter, son! I read the whole thing!
 
If you can stand to look closely, the individual parts of the art are actually pretty good in a "I wanna be Todd McFarlane!" way. . .but there's just so MUCH in each panel that it becomes something awful.  Say what you will about McFarlane's art, but at least he understands the concept of negative space.
 
Overall, what we have here is a female ripoff of Spawn with amateurish dialogue and extremely cluttered pages of eye-bleeding art. I had to take a Tylenol and relax after reading this.  Reading this comic was like some sort of mental punishment for a crime I didn't even know I committed.
 
THE FINAL VERDICT:
I give this one 1 out of 5 throbbing forehead veins.
 

CONCLUSION

I have to admit that I'm glad I'm done with this batch of Off-Brand One Shots.  This handful really sort of confirmed what I was expecting when I started this strange journey through comics and characters I'd never heard of.  Two out of Five of them are "pretty good", with two more being "pretty bad" and one being "I don't even want to read this" awful.  Even then, the "Pretty good" ones feature derivative characters and predictable stories.
 
Overall, I think I've finally had enough of this for now.  Even though I still have enough off-brand one shots for what WAS planned for two more entries, these five comics have made me lose my appetite.  I'll probably return to the rest of the comics I was planning on reviewing at some point, but for now I think it's time for something else.  
 
Up Next. . .
 
Let's get back into some Longbox Junk Reader Requests!
 
Normally, I'd pick one from the pickin' hat (a set of monogrammed Mickey ears from Disney World), but Comic Book Realm member Tenzil put forth a Christmas wish that I somehow might find it in my heart to review his fine selection at some point.  And who am I to deny someones Christmas Wish?
 
SO. . .
 
Merry Late Christmas, Tenzil! 
Next up is the Longbox Junk take on issues #1 -#6 of Valiant's "Harbinger" series.
They're in my daughter's collection and I've never read them.  Please, . . .let them be good.
 
Be there or be square!

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Longbox Junk - Off-Brand One Shots (part 4)

5787 views • Dec 18, '19 • (0) Comments

Welcome back to Longbox Junk, where I review comics that nobody asked me to!

The comics I've been reading lately, I don't think ANYBODY has ever been asked to review.  From what I can see, I'm writing the first (and probably the last) reviews of most of them. . .but truthfully, that's the fun part!

What we have here are what I've been calling "Off-Brand One Shots".  They're single issue stories pulled from a recent massive purchase of roughly 600 NON-DC/Marvel comics bought on the cheap from a closing comic shop.

I've put a little twist in things by letting my comic lovin' daughter pick the one shots I've been taking a look at, and so far she's done a pretty good job at mixing things up.  Everything from straight superhero stories, to horror, manga, comedy, and everything in between.

Let's see what she's given me this time!

ONIBA: SWORDS OF THE DEMON 

ASPEN COMICS (2015)

 
"NO, MASTER"
SCRIPT: Vince Hernandez & Paolo Pantalena
PENCILS: Paolo Pantalena
COVER: Paolo Pantalena
 
THE COVER:
Now THAT'S a pretty impressive cover! The colors are amazing, the main character and the dragon are very nicely detailed, and everything really pops up against the plain background.  It's a little bit -tastic, but it's not done in an exploitative way (like the other covers below), so I think I can get away with putting this one up on the "Wall O'Covers" at work (I have to think twice about ANY cover with a female I put up there).  I really like everything about this cover!  Let's hope the story is as good.
 
THE STORY:
In feudal Japan, Daimyo Nobunga Oda is a powerful and ruthless ruler. Expert swordswoman and assassin Yukiko is his most feared and trusted warrior.  After helping decimate a rival clan, Yukiko begins to have doubts about her powerful Master when she secretly witnesses him sacrifice two of his own warriors while praying to something unseen.
 
After confiding what she's seen to a fellow warrior and friend, Akechi, he also confides that these dark doings are partly what is behind a planned coup he will be leading.  Yukiko declines to join Akechi in his rebellion, but also keeps what she knows secret from her Master.
 
Shortly afterward, the attack Akechi warned Yukiko about comes, and after a brutal battle, Akechi confronts the fleeing Nobunga, but the fight between the two goes badly for the rebel leader.  Yukiko secretly strikes the killing blow, stabbing her own Master in the back during his moment of triumph, leaving Akechi victorious. . .but the betrayal of her Master is too much for Yukiko to bear.  
 
Beacause of her shameful secret, Yukiko leaves the clan to wander the land as masterless warrior. . .a Ronin.
 
The End.
 
THE REVIEW:
I really liked this comic a lot!  It has a well-written story full of action and intrigue that hints at a darker supernatural center that I want to know more about.  Likewise, the main character is interesting and I want to know where her journey takes her.  Unfortunately, this looks like a project that never got past this single introductory issue, which is a shame because there's a lot of great story potential here.  
 
Admittedly, this is a story that's been told before. . .Many times before.  That said "Wandering Warrior carrying a dark secret" is a classic story framework for a good reason.  It's a narrative hook a writer can hang almost any kind of tale they want on. The journey of a disgraced warrior through a supernatural-tainted version of Japan is a comic series I want to read.
 
 
On the art side of things, the excellence of the cover is carried through to the inside pages.  I love the uninked, sort of watercolor style the artist uses. The colors are great.  The elaborate character designs are fantastic. This comic is simply a feast for the eyes!  EVERY page is worth lingering over. 
 
Overall, this comic is pure Longbox Junk gold!  It has an interesting story I want more of (and sadly will never get), backed up by some incredible art.  It's a shame that this is the only issue of this series that was ever put out, because I'd be on the bargain bin hunt for the rest if there were more.
 
THE FINAL VERDICT:
I'll give this one FIVE out of FIVE Yojimbo homages.
 
A GREAT start! Let's see what's next. . .
 

WITCH HUNTER #1

MALIBU (1996)

 
BLOOD HUNT
SCRIPT: Laurie Sutton
PENCILS: Joyce Chin
COVER: Renee Paniccia
 
COLORS: Roberta Conroy, Camelia , Sharleen Gaertner, Lucy Koeoeian, Edie Moses, Rebecca Maiden, Renee Paniccia, Kim Pettijohn, Alicia Rodriguez, Sheri Rohrbacher, Jacquie Roman, Serina Sahakian, Carolyn Shaver, Jennifer Schellinger, Kelli Young.
 
I just thought I'd point out that there's FIFTEEN color artists credited for this ONE issue! That's gotta be some sort of record. . .
 
THE COVER:
Oh, boy.  Nope.  This one ain't going up on the office wall.  It's WAY too -tastic, and not in a somewhat excusably artistic way (Like Oniba, above), but in a straight-up exploitative 90's "LOOK AT THE !" Sort of way.  Setting aside the , it's a decent cover, but not great. . .like a lot of 90's covers, it definitely has the stench of Rob Liefeld's influence on it in the stretched-out proportions, impossible hair, and cybernetic arm. 
 
THE STORY:
Maria Delorentti (AKA Witch Hunter), an agent of the mysterious supernatural watchdog agency known as The Seventh Sign, follows a trail of clues across the city as she searches for a missing Seventh Sign agent.  
 
Eventually, she learns the location of the agent, but must work quickly to rescue him.  He is due to be sacrificed at the height of the moon, mere minutes away!  Leaping into action, Witch Hunter disrupts the ceremony in progress and finds herself fighting a cult of female vampires.  
 
Knowing that her blood is poison to vampires, Witch Hunter allows them to drink.  To block out the pain, she reflects back on her life before she joined Seventh Sign. . .
 
Massachusetts, 1936.  On her 21st birthday, Maria is attacked by evil spirits that open a portal to another world and attempt to pull her in.  An agent of Seventh Sign who had been watching the house breaks his instructions to observe and report in order to save her. . .but not before her youngest sister is pulled into the portal, her mother dies from the horror, and her other sister falls comatose.  
 
Upon hearing the news of the devastation her family has suffered, Maria swears vengeance and immediately accepts the offer to join The Seventh Sign as an agent against evil forces.
 
Returning back to the present, the minions of the Vampire Queen lay dead around Witch Hunter, poisoned by her blood.  She confronts their leader, who knew not to drink from her, and they join in battle.  After a brutal fight in the skies above the city, Witch Hunter manages to behead the Vampire Queen with her holy sword.  With the cult defeated, Witch Hunter returns with the kidnapped agent to headquarters.
 
The End.
 
THE REVIEW:
What we have here is a pretty lackluster story.  It has a main character I just couldn't get interested in, with vaguely-defined powers that seem to match whatever the story needs her to have.  The story is weak and forgettable, and is obviously just a hook to hang a comic filled with pictures of half naked women on.  I always tell my daughter to never judge a comic book by its cover. . .but in this case, the cover tells you exactly what you're going to get.
 
 
 
Unfortunately, for a comic where the story is in service to the art, the art isn't even that great.  It's okay, but lacks a sense of motion needed for a story that's basically a long fight scene with a flashback thrown in the middle.  Characters look like they're posing more than moving.  It's pretty obvious that posed pictures of scantily-clad women is the focus of the artist. . .and indeed, the focus of the comic in general.
 
Overall, what we have here is a comic book laser focused on the lowest common denominators for young men. . . and violence.  The sad part is that they don't even get THAT completely right.  This comic is an utterly forgettable relic of the 90's "Bad Girl" trend.  There was never a #2 and it's not hard to see why.
 
THE FINAL VERDICT:
I'll give this one 2 out of 5 Liefeld-Inspired Cybernetic Arms.
 
One good. . .one bad.  NEXT!
 

ULTRAVIXEN

HOUND COMICS (2013)

SCORPIO RISING! . . .OR WAS THAT FALLING?

SCRIPT: Marcelo Bravo
PENCILS: Jed Dougherty
COVER: Jed Dougherty

THE COVER:

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Longbox Junk - Off-Brand One Shots (part 3)

6673 views • Dec 10, '19 • (0) Comments

Welcome back to Longbox Junk, where I write reviews of comics that nobody ever asked for!

Recently, the whole "nobody ever asked for" part has been more true than ever as I've been exploring a stack of one shot comics included in a purchase of 2 longboxes full of nothing but random NON-DC/Marvel comics.  I've gotta say. . .digging into those longboxes has definitely been a new experience in obscurity for me.  There's a LOT of stuff I never knew existed just in those two boxes of comics!

ANYWAY. . .

I've been letting my comic lovin' daughter pick the comics I review for these "Off-Brand One Shots" editions of Longbox Junk.  So far, she's done a pretty good job of mixing things up and giving me a nice variety of genres from horror to comedy and everything in between.  Let's see what she gave me this time, shall we?

THE ROCK

CHAOS! COMICS (2001)

 
THE PEOPLE'S COMIC BOOK!
SCRIPT: Steven Grant
PENCILS: Fabiano Neves
COVER: Photo
 
THE COVER:
It's a photo cover.  What can I say?  If you're a fan of Dwayne Johnson in his pro-wrestling "The Rock" persona, then this is probably an awesome picture worthy of being part of some sort of shrine.  To me. . .it's just a picture of a younger Dwayne Johnson giving me "The People's Eyebrow".

Moving along. . .
 
THE STORY:
The Rock is a simple man.  A man of the people.  A man who just wants a little peace between the times he lays the smack down in the wrestling ring.  When The Rock accidentally finds himself caught between two competing illegal underground fight promoters. . .one of which has a fighter pretending to be The Rock, it's time to teach some candy their roles!

The Rock invades the underground fight club and shows every Jabronie that dares to step up to him what it means to look upon the glory of the most electrifying presence in sports entertainment.  After defeating all comers. . .as was ordained the moment The Rock entered the building. . .he makes the crooked promoters smell what The Rock is cooking by forcing them to end their pathetic excuse for a tournament unless they want a piece of the people's elbow.

The End.

 
THE REVIEW:
I have to admit that I'm not a pro wrestling fan.  That said, I had a roommate in the late 90's that was rabid about it, so I'm familiar with it through a bit of osmosis from his constantly watching it.  There's also been a few wrestlers who have broken away from the ring and into the general public consciousness, and Dwayne "The Rock" Johnson is probably the most successful of those, so I know him more than most wrestlers. . .and even then I'm not a big fan.  I'll watch his movies, but I don't go out of my way to see one just because he's in it.

What I'm trying to say is that I came into this comic not as a fan of The Rock, but as a comic fan who got handed a Rock comic by his daughter to review on its own merits.  I could care less about The Rock in general.

THAT SAID. . .

I liked this comic a LOT! Quite a bit more than I thought I would when I got it handed to me and I was like, "Really?"  It's the dialogue that makes this book great.  It's hilarious and over the top all the way through, from page one to page last.  Rock talking about himself in the third person and just blowing past everybody like a force of nature laser-focused on doing whatever the he wants to do is just FUN.  This comic is just entertaining fun from start to finish!  A very pleasant surprise.

 
On the art side of things, this is a pretty well drawn comic.  Not the greatest art I've ever seen, but it's good and at least it captures the likeness of the main character, which is a lot more than can be said for most licensed property comics featuring actual people (I'm looking at YOU Deep Space Nine a couple of reviews below).  There's also a great sense of motion during the action scenes.  The art here is pretty much perfectly matched with the story.
 
Overall, I was really surprised by how much I liked this comic.  It's fast, it's funny, it's over the top and just plain entertaining.  It's not thoughtful or deep in any way, but sometimes you just want a good simple FUN story.  This comic delivers just that.
 
THE VERDICT:
I give The Rock 4 out of 5 candy taught their roles.

A good start this time out. . .NEXT!
 

LADY ACTION SPECIAL

MOONSTONE (2009)

 
SCRIPT: Tony Lee
PENCILS: Jake Minor
COVER: Paul Gulacy
 
THE COVER:
I like a cover that tells a story and this cover tells me that there's a Lady and there's gonna be some Action!  I have no idea who Lady Action is, but without even opening this comic I can tell that her kind of action involves guns, fast cars, and possibly some sort of kinky uniform-oriented shenanigans when it's all said and done.  I like this cover a lot.  It's not the greatest comic cover I've ever seen (her face and gun hand both look a little strange), but it's nicely done and lets you know what you're in for with one image.
 
THE STORY:
Nicola Sinclair (AKA Lady Action), an agent of the British A.C.T.I.O.N. Directorate, infiltrates the mansion of crime lord "El Caso" during an exclusive party.  With the assistance of an American A.C.T.I.O.N. agent named Adam, she successfully hacks into El Caso's private computer files and discovers that he has information that only A.C.T.I.O.N. should have.
 
Nicola's fears of a traitor are proven correct when El Caso and a group of his armed bodyguards arrive to take the British agent prisoner and Adam shows up with them and admits that he's working with El Caso.  As the criminals discuss how to execute her, Nicola causes an explosion and flees the mansion with El Caso's men in hot pursuit.
 
Lady Action grabs a motorcycle and leads El Caso's men on a running gun battle chase through the surrounding woods.  Nicola encounters Adam and tries to regain the flash drive with El Caso's files on it, but the American Double Agent shoots and kills Nicola as El Caso hovers overhead in a helicopter.
 
EPILOGUE: Two weeks later Nicola and Adam meet in a Texas diner.  The information theft was a distraction and her death was faked so that Adam could infiltrate deeper into El Caso's organization.  
 
Adam gives Nicola the information the British Branch was REALLY looking for, gained by El Caso's trust in Adam.  Shortly after Nicola leaves with the files, Adam is shot in the head by one of El Caso's assassins and El Caso is informed that Lady Action is alive and has the stolen information.
 
To be continued. . .
 
THE REVIEW:
Not bad.  Not bad at all!  This is a fast-paced, well-written "infiltrate and escape" spy story with a (somewhat predictable, to be honest) double twist.  It makes me want to know what happens next.  That said, even though it's a good story, it's not perfect.
 
This is firmly connected to the continuity of the Moonstone Captain Action series, so there are quite a few references to characters and events that have taken place "off stage".  There is an assumption that if you're reading Lady Action, then you already know vital Captain Action-related information. . .like what the A.C.T.I.O.N. is in the first place! (I had to wiki up and discover that it's sort of like the Mission Impossible Force, but their main enemy are aliens who have infiltrated the world's governments) In other words, there is NO background information here.  This story hits the ground running and stays that way to the end.
 
On the art side, I like this style a lot.  It has heavy lines, chunky forms, and is just slightly exaggerated with nice bold colors and a great sense of movement.  It's a perfect fit for a fast-moving story like this.  Like a lot of these "Off Brand One Shots" there's a lot more effort and detail put into the female figure than anything else.  This isn't QUITE as -tastic as some of them, but you can definitely tell what the artist's favorite thing to draw was.
 
Overall, I liked this comic a lot.  It has a fun, fast-paced spy story backed up with some good art.  There's no background material, so there's references that don't register well with a new reader like myself, and it has a "to be continued" ending, but that didn't stop me from enjoying this little story.
 
THE VERDICT:
I give Lady Action 4 out of 5 menacing gunmen.
 
Two good ones in a row! Let's see if we can keep this going.  NEXT!
 

STAR TREK: DEEP SPACE NINE -

LIGHTSTORM

MALIBU (1994)

 
LIGHTSTORM
SCRIPT: Mark Altman
PENCILS: Rob Davis
COVER: Rob Davis
 
THE COVER:
 
*Sigh* This again?  Why do you keep doing this to me, Star Trek?
 
I'm a HUGE Star Trek fan, but Star Trek comics (especially those from the 80's and 90's) have pretty much consistently disappointed me with their art.  It seems like the built-in audience and sales for Star Trek comics leads to a "Minimum Effort" standard.  This cover is no exception.  It's okay. . .but it doesn't look like the artist put any more work into it than he absolutely had to.  And when I see the interiors were done by the same guy, it doesn't give me much confidence.  Here's hoping that at least the story is good.
 
THE STORY:
After the newly-established Federation colony Gakora in the Gamma Quadrant comes under attack by an unknown enemy, the Klingon cruiser A'v Wi, under the command of Captain Krol, answers the distress call, but finds the colony destroyed and only one human survivor.  Krol decides to take the comatose survivor to the closest Federation base, Deep Space Nine.
 
Captain Krol is determined to find and destroy the attackers, while Katha, the Imperial Adjunct aboard the A'v Wi, insists on a more diplomatic first contact with the mysterious aliens.  Deep Space Nine Commander Sisko agrees and asks to join the Klingons, along with his science officer, Dax.
 
Shortly after entering the Gakora system, the Klingon cruiser is attacked, but the attacking ships are technologically inferior and pose little threat.  After opening communication, the alien commander seems to recognize the Klingons as allies and thinks that the humans he sees are prisoners.  He offers to guide the confused Klingon Captain to their base.
 
After arriving at the alien homeworld and meeting their ruler, Malek, Sisko and Dax are imprisoned and scheduled for execution.  Adjunct Katha and Captain Kol demand an explanation and are told that humans are the enemy of the Myvock people because they violated the ancient holy ground of the planet Gakora.  Katha and Kol become more confused as Malek tells them that he was informed by other Klingons that the alliance between the Federation and Klingon Empire had collapsed.
 
IN THE MEANTIME. . .
 
On Deep Space Nine, the human survivor of the Gakora colony regains consciousness and informs Dr. Bashir that after the attack, when the aliens were slaughtering the survivors, they were accompanied by two female Klingons who Bashir realizes match the description of Lursa and B'etor. . .dangerous Klingon sisters who have constantly attempted to erode the Federation/ Klingon alliance.  Doctor Bashir and Chief O'Brien volunteer to travel to Gakora and try to warn Sisko and Dax.
 
On the Myvock homeworld, Captain Kol and Katha are introduced to Hernai. . .the Myvock military commander who led the attack on Gakora.  Hernai is determined that the execution of Sisko and Dax be carried out as quickly as possible.  Kol and Katha arrange a secret meeting with the humans to tell them that they will not allow them to be executed.  Katha reveals that she's actually a Klingon intelligence agent trying to track down the Klingon sisters Lursa and B'etor and prevent them from selling explosives to Bajoran terrorists.
 
On Gakora, Bashir and O'Brien are almost immediately captured by Lursa and B'etor while back on the Myvock homeworld, Sisko, Dax, Kol, and Katha confront Malek and inform him that he's being used by Klingon terrorists.  Commander Hernai interrupts and they are all taken prisoner and scheduled for immediate execution, along with Bashir and Dax. . .which reveals that Hernai is working with Lursa and B'etor.  
 
The Klingon cruiser transports the prisoners out of danger, and they quickly head for Gakora.  Following a battle in mines beneath Gakora, Lursa and B'etor make their escape.  Hernai reveals to Malek that he allowed the sisters to mine beneath their holy ground in exchange for technology to improve their weapons. Malek removes him from military command.  Katha goes in pursuit of Lursa and B'etor while Sisko and Malek make peace between the Myvock and Humans.
 
The End.
 
THE REVIEW:
 
Well now. . .that's a lot of story!  And it's pretty well condensed too.  I left out a couple of sub-plots (Doctor Bashir and the Klingon First Officer Koleth's friendship, for one example.  The simmering conflict between Captain Kol and Katha for command of the Klingon ship is another) and there's STILL eight paragraphs.  So yeah. . .this double-sized comic is definitely on the dialogue-heavy side.
 
The good news is that the story is very well done.  The writer (who is a pretty prolific author and screenwriter. . .including a two-volume 50 year history of Star Trek) very accurately captures the voices and personalities of the Deep Space Nine characters in such a way that this comic reads like it could EASILY be the script for a Deep Space Nine episode set in the first season of the show.  You can almost feel where the commercial breaks are supposed to go!  This is great read for Deep Space Nine fans like myself.
 
Unfortunately. . .there's the art.
 
 
Once again, a Star Trek comic fumbles the ball with the art.  It's clunky and uninspired from cover to last page.  The artist mostly fails to capture the likeness of the T.V. characters and backgrounds are minimal to non-existent.  There's just a feeling that not much effort was put into this. . .which is a shame, considering the really good writing.  With a little more effort on the art, this COULD have been a great comic. 
 
Overall, this comic is the definition of conflicted.  On one hand, you have a good story that absolutely captures the essence and voices of established Deep Space Nine characters and reads like a "Lost Episode" of the first season of the series.  On the other hand, you have clunky, uninspired art that demonstrates a "minimum effort" standard that is just one notch away from being outright bad. 
 
THE VERDICT:
I'll give this one a half and half score of 3 out of 5 bowls of Gagh (served live, of course)
 
AND FINALLY. . .
 

ENTER THE ZOMBIE

ANTARCTIC PRESS (2010)

 
ZOMBIES OF SHAOLIN
SCRIPT: Fred Perry & Robby Bevard
PENCILS: Ben Dunn
COVER: Brian Denham
 
THE COVER: 
I wish I'd had this comic when I was pulling covers for my Halloween comic display on my office "Wall O' Covers".  It's chaotic and crazy in a good way.  I like the colors a lot, especially the plain green background that really sets everything against it quite nicely.  The gigantic nasty smile on the featured Kung Fu zombie is creepy and hilarious at the same time!  It's not the greatest comic cover I've ever seen, but I like it!
 
THE STORY:
A talented but impatient young American Shaolin trainee is denied the chance to take the initiation test.  His master explains that decades of training lie in front of the young man before he can take the test. After learning the location of a hidden forbidden chamber on the Temple grounds, the student becomes convinced it holds the secrets of martial arts mastery he needs to take the initiation test.
 
Disobeying the command of his Master to not disturb the chamber, the student opens the sealed door and accidentally unleashes 36 evil, undead spirits that quickly begin to possess the rest of the students in the Temple. . .turning them into Kung Fu Zombies!
 
A friendly guardian spirit also released from the chamber informs the student that only HE can return the evil spirits to the chamber, because he was the one who released them.  The student gathers his courage and sets off to prove that he's worthy!
 
After fighting his way through the possessed students to come to his teacher's aid, the student is surprised to find that his Master had used him to open the chamber's seal and betray the Shaolin Temple to the evil spirits.  The battle between them is short and the student is easily defeated, but the Guardian Spirit infuses the student with the power of the SENTAI SHAOLIN TIGER!  
 
Transforming into a heroic, armored figure, the empowered student defeats his former Master and the rest of the evil spirits before changing back into a powerless young man.  The Guardian Spirit tells him that he is now the Guardian of the Secret Chamber.
 
Years later, the student has become the teacher.  A young, impatient student of his discovers the location of the Secret Chamber. . .
 
The End?
 
THE REVIEW:
Not bad.  Not bad at all!  This is an extremely fast-reading and stripped-down story that moves quickly from Point A to Point B to Point C without anything to slow it down.  This is a lean story that is over before you know it.  I literally finished this comic in five minutes.
 
But even though this is an extremely simple and action-heavy story, I liked it.  It's quick and entertaining.  It's not a great story.  It might not even be good, when you think about it.  It's like comic book junk food.  You know it's not really great, but before you know it, you're done with the whole thing and you sort of want some more.
 
 
Ben Dunn is actually an artist I like a lot.  I'm always happy to see his name on a comic.  I appreciate his (and Antarctic) bringing the Manga style to an American audience.  It's not my favorite style, but I like it in small doses now and then.  This is a pretty straightforward, no-frills example of that American Manga style.  It helps the fast-paced story move quickly across the page, and it's very nicely done.  
 
Overall, this is pretty much what I call a "junk food comic".  Sure, there's better comics out there, but sometimes you just want a little bit of fun entertainment that might not be what other people would call great, but screw those people.  Not everything has to be great.  This is just a fast-paced, fun little story.  Nothing more, nothing less.
 
THE VERDICT:
I'll give this one 4 out of 5 poorly-dubbed episodes of One Piece.
 

CONCLUSION

 
Well now. . .THAT was an unexpected surprise.  This handful of "Off-Brand One Shots" my daughter gave me was actually pretty darn good!  Except for the extremely weak art on Deep Space Nine (But that's par for the course on almost ANY 80's or 90's Star Trek comic, to be fair) there's not much bad to say about any of these.  That doesn't happen very often.  
 
Up Next. . .
 
Plenty more Off-Brand One Shots in the pile. 
Let's see what my daughter hands me next!
 
Be there or be square.

- read more

Longbox Junk - Off-Brand One Shots (part 2)

6423 views • Dec 2, '19 • (0) Comments

Welcome back to Longbox Junk, the place to find all the comic reviews that nobody ever asked for!

This time out, I'm going to take a look at another handful of one shot issues that were included with my recent purchase of a massive pile (about 600 issues) of non-DC/Marvel comics.  I've let my daughter pick the ones to review, and I have to say that I was a little disappointed with what she gave me last time.

I'm crossing my fingers for better luck with this batch. . .so enough introduction, let's get right into it!

NITROGEN

Arcade Comics (2005)

 
SCRIPT: Rob Liefeld & Brandon Thomas
PENCILS: Jon Malin
COVER: Jon Malin
 
THE COVER:
Hmmm. . .okay.  Not bad.  Not great, but it's pretty good in that signature "in your face" 90's-Tastic way.  Rob Liefeld is the writer on this one and not the artist, but I can definitely see his influence here in all the straps, spikes, giant guns and all around shiny metal look of things. . .as well as in the general composition and posing of the characters.  This cover simply screams "THE 90'S!!" at me. 
 
Wait.  What?  This comic isn't from the 90's, it's from 2005? Ohhhhhh. . .okay then.  My mistake. Ha-Ha! You got me!  Heh. . .heh.  *sigh*  Let's take a look inside.
 
THE STORY:

The Nitros, a team of young superpowered heroes, have rebelled against the morals of the past generation of heroes that taught them to use their powers for the good of humanity.  Instead they have embraced the path of power and follow the commands of hero-turned villain Zang.

Under Zang's ruthless leadership, the younger generation uses their intimate knowledge of the older heroes to easily defeat them. . .but in their overconfidence, they don't understand that there were things that the older generation never taught them or told them about because they were too dangerous.

One of the few remaining heroes of the past uses this knowledge and desperately opens a hole in the time-space continuum through which a horde of strange beings come through to confront the young rebels.

The End. . .to be continued?
 
THE REVIEW:

As I read this comic, I was struck by the similarities between it and "Jupiter's Legacy", by Mark Millar and Frank Quitely. . .which came out 8 years after this in 2013.  The resemblance is mostly in the subject of a younger generation of heroes turning against their mentors, and Jupiter's Legacy is a superior look at the subject, but I still found it pretty interesting to see a Rob Liefeld-written version of Jupiter's Legacy that came out a decade earlier.

THAT SAID. . .

Rob Liefeld isn't exactly known for his great writing, and he's certainly no Mark Millar.  The writing on this isn't great. It's not awful, but it's not great. It's just sort of "pretty good".  Reading this will take you right back to the 90's like it's a paper time machine.  People shout about their powers to each other in the middle of fights, for example.

I have to admit that the plot itself was pretty interesting if you can look past all the shouting, but even though it ends on a "To Be Continued" note, this is it.  It seems to be the first issue of an unfinished project.  Sort of a shame because there's actually some potential to be good here.


 
As far as the art goes. . .it's even more of a trip back to the 90's "We want to be like Marvel!" Image team books than the writing.  Rob Liefeld isn't given any art credit here, but he probably should have been for inspiration alone!
 
Like the cover, Liefeld's influence is all over the place in the exaggerated proportions, overly-elaborate costumes, spiky hair, and constantly-exposed teeth of the characters. The pages are so cluttered with action that it's sometimes hard to keep track of what's going on.  The art is actually well done for what it is.  Simply put it's 90's-Tastic in every good AND bad way that it can be. 
 
Overall, I actually enjoyed this one.  It's not the best-written comic ever, but it does have a decent premise, some nice 90's-style art, and the potential to be a good story.  Unfortunately, this is all there is of it, so there's really no way to see where it went.
 
THE VERDICT:

I'll give this one 3 out of 5 costumes with useless straps and gigantic shoulder pads.

NEXT!
 

MASTER DARQUE

Valiant (1998)

 
SCRIPT: Christina Z.
PENCILS: Leonardo Manco
COVER: Leonardo Manco
 
THE COVER:
I'm a big fan of Leonardo Manco's art, and seeing his name on the cover of this makes me very happy. . .BUT. . .this cover isn't his best work.  It's dark and muddled and the main character's face just looks strange.  There's a lot of wasted space in the frame and logo area. This isn't the kind of cover that makes me want to buy a comic book. I hope whatever's inside is better. Let's check it out!
 
THE STORY:
When a desperate young man seeks aid from the mysterious Alexandre Darque to save his dying mother, he is taken on a nightmarish and dangerous journey to the darkest edges of the Valiant Universe to retrieve three artifacts.

Unfortunately, even though his mother is saved, he learns that he was just a in Darque's twisted games.  The artifacts he risked his sanity for weren't to save his mother at all, but to give Darque a glimpse into the future end of the world and what part Alexandre Darque will play in it.

The End. . .to be continued.
 
THE REVIEW:
Like Nitrogen above, I was actually reminded of another story while reading this hefty double-sized issue.  This time it was DC's 1990 Books of Magic mini-series, where fledgling magician Timothy Hunter is led through the occult side of the DC Universe by characters like John Constantine and Phantom Stranger, with cameos of various other DC mystic characters along the way.

The mysterious, mystical, self-serving title character resembles John Constantine in a very obvious way (even in appearance).  The resemblance is barely copyright-dodging enough that this could have EASILY been a Hellblazer comic as Darque leads an unsuspecting young man through mystical realms and meets characters like Shadowman, The Eternal Warrior, and Turok.

Setting aside the very obvious. . .I'll kindly call them "influences". . . this isn't a bad story at all.  Like Books of Magic, it serves as a good introduction to the dark corners of Valiant's recently (at the time) rebooted universe through the eyes of a relatable non-powered character.  The ending makes it clear that there is a lot more to the tale (there was a follow-up 4 issue series called Darque Passages), but despite that, this is a complete and pretty enjoyable story in itself.

 
When talking about the cover above, I mentioned that I'm a fan of Leonardo Manco's art, but that the cover was disappointing.  The good news is that the interior art here is simply amazing!  Manco's signature darkly-inked and supremely-detailed style is definitely the star of THIS show, and (in my extremely humble opinion) is reason enough alone to pick this comic up!  Just look at the awesome full-pager above and know that Manco was the PERFECT artist for a story like this.
 
Overall, even though the story is highly derivative of Books of Magic and the main character is a discount version of John Constantine, I liked this issue for the guided tour through the dark side of the Valiant Universe.  Throw in some fantastic artwork that fits the mystical and sometimes horrific story perfectly and this one's a winner!

THE VERDICT:

I'll give this one 4 out of 5 copyright-dodging differences.

NEXT!
 

SHOTGUN MARY:

SON OF THE BEAST

Antarctic Press (1997)

 
 
SCRIPT: Miki (Miljenko) Horvatic
PENCILS: Esad Ribic
COVER: Esad Ribic
 
THE COVER:
Yep. . .there it is, front and center, folks. The Boo-Tay! 
 
I actually like this cover quite a bit for the way the main character is contrasted against a plain background.  I've always liked covers that use this method.  Shotgun Mary is nicely-painted and detailed as well. I also like the unusual pose of her looking over her shoulder.  I'd let this one take a turn on my rotating "Wall O' Covers" on my office wall at work, but I don't feel like having to go to an awkward HR appointment to talk about it.
 
BONUS: Good News! I seem to have come into an extremely-limited "Gold Seal" Variant of this comic, of which I am now the proud owner of 1 of only 100 copies out there!  The bad news is that nobody cares and it's still not worth a (less than 10 bucks). *sigh*  Moving along. . .
 
THE STORY:
 
Renegade former Warrior Nun "Shotgun" Mary Delacroix follows a trail of victims with their hearts torn out into the desolate desert after learning that the sacrificial murders are meant to attract her attention.  After purposely walking into a demon's trap, Mary is offered a chance to join the forces of .  She declines with a combination of faith and firepower, defeating the demon and moving on to the next target in her lonely mission. . .
 
The End.
 
THE REVIEW:
I'm familiar with Shotgun Mary from Antarctic's "Warrior Nun" comics, and I generally like the character.  She's a bit derivative of Marvel's Punisher, but with a Catholic religious angle that sets her against demons instead of criminals.  
 
This one shot puts Mary in full violent "Religious Punisher" mode in a fast-reading, action-heavy story that moves from point A to B to C very quickly and without any background material at all. . .so this one is NOT for new readers, but for existing fans.  If you don't already know what Shotgun Mary is about, this ain't the place to start.  
 
That said, despite the extremely thin story, I liked this quite a bit.  It's fast. . .it's simple. . .it's not deep or complicated.  It's Shotgun Mary purposely walking into a trap in order to kill a demon.  That's it.  Sometimes you just want a simple story and this one shot serves up just that.
 
 
On the art side of things, I was pleasantly surprised to find this to be a fully-painted comic.  I'm a bit more used to Manga-Style artwork in Antarctic comics. . .especially their earlier offerings from the 90's.  The art here is nicely-detailed and richly-colored.  It's not the BEST painted art I've ever seen, but it looks great and definitely takes the issue up a notch in quality.
 
Overall, this is a fast-paced and simple page-turner with some unusual (for Antarctic) painted art.  As an existing fan of the main character, I liked it quite a bit.  If you're not familiar with Shotgun Mary, this isn't a great introduction.
 
THE VERDICT:
 
I'll give this one 4 out of 5 scorched Rosary Beads.
 
AND FINALLY. . .
 

LITA FORD

Rock-It Comix (1993)

 
THE QUEEN OF HEAVY METAL
SCRIPT: Lita Ford, Laurel Fishman & Roland Mann
PENCILS: Jim Balent
COVER: Jim Balent
 
THE COVER:
Allrighty, then! It's a nicely painted depiction of 80's rocker Lita Ford proudly showing off the OTHER two reasons she's famous beyond her ONE hit song! Okay, two songs. . .if you count her sappy duet with Ozzy Osbourne where he's singing like he's reluctantly paying up on a lost bet.
 
I have to admit that this IS a pretty metal cover.  Too bad Lita Ford ain't metal. Still, I'm liking  all the skulls and the general throwback album cover look of it. Wait. . .is that a WIENER DOG bottom left? What the ?
 
BONUS: 
Good news! My copy of this comic is signed by writer Roland Mann. 
Bad News! A signed copy of this comic STILL isn't worth !
 
THE STORY:
Shortly before a concert at Madison Square Garden, rocker Lita Ford breaks her guitar but is given a new one by a mysterious stranger who claims the guitar has unusual powers.  In the meantime, Libby Snore. . .head of the P.M.R.C. and wife of Congressman Al Snore. . .is plotting to destroy the sinful Lita Ford at the very same concert.
 
As Lita and her band take the stage, Libby Snore uses black magic to open a gate to , releasing demons that possess her Young Republican followers. . .who attack the band and their fans.  As the demons attack, Lita's guitar transforms her into a heavy metal super-hero!
 
Using her new powers, Lita is able to defeat the Young Republican Demons and confront Libby Snore, forcing her to close the gate to .  Lita transforms back to her regular self and Libby Snore promptly has her arrested for starting a riot.  Lita's manager bails her out of jail and we are assured that the story hasn't ended yet.
 
The End. . .to be continued?
 
THE REVIEW:
Oh Lawd.  What the did I just read? 
 
I don't even know where to begin with just how bad this is, but here goes. 
 
At the heart of it, this is less of a story and more of a protest rant against the PMRC, which (for anyone under the age of 45 reading this) was an organization started in 1985 by Elizabeth (Libby) Gore that is responsible for those "Parental Advisory" labels that still adorn album covers today and the main censorship supervillain for heavy metal and rap music at the time.  
 
The PMRC is practically forgotten today, except in some songs from the era protesting it and relics like this comic.  But at the time, it was a pretty big deal complete with congressional hearings and all the associated hoopla censorship generally garners when it rears its ugly head in the US of A.
 
In other words, this is a comic that is stuck so firmly in a specific political moment in time that it's practically unreadable today.  It doesn't help that even if it wasn't a heavy-handed censorship protest thinly disguised as a comic book, it's very poorly written.  The "plot" is forced to fit the message instead of writing the story around the message in a more natural way.
 
Things happen for no reason except to address specific points of PMRC censorship, so the whole thing just feels forced and preachy. . .which is just strange for something that's supposedly AGAINST an organization that's forced and preachy!  
 
To make matters worse, unless you're someone who even REMEMBERS the PMRC, what little narrative drive this comic does have will be completely meaningless because all that's left of the PMRC are those little parental advisory stickers.
 
 
As far as the art goes. . .it's okay.  It tells the story, but beyond a hard focus on Lita Ford's mostly-naked body, there's nothing remarkable about it.  It's not the worst art I've ever seen, but it certainly doesn't try too hard either.  
 
Overall, this comic book is a sort of embarrassing relic of the time.  It features a one hit wonder fighting against a censorship organization that nobody cares about today and leans pretty heavily on being full of pictures of a scantily-clad woman drawn in an extremely average way.  Just read Red Sonja instead. . .at least you usually get a decent story that doesn't preach at you along with your sexy pictures. 
 
Beyond the story, there's a pretty extensive interview with Lita Ford that's actually pretty interesting, as well as a discography. . .who knew she had enough songs to fill not one, but TWO "greatest hits" albums?  So if you're a Lita Ford fan, you might get some extra mileage out of this.  But if you just grab this from the bargain bin because of the -tastic cover and expect a good story or great art, you're gonna be pretty disappointed.
 
THE VERDICT:
 
I give this one 1 out of 5 spiky leather bras.
 

CONCLUSION

 
Hoo-Boy.  My daughter gave me a mixed bag with this batch!  
 
I'd say the theme this time was reading one thing and being reminded of another.  From Nitrogen being a 90's-Tastic Liefeld version of Jupiter's Legacy, to Master Darque being THIS close to being a Valiant version of Books of Magic starring a bargain bin John Constantine, to Shotgun Mary basically being a Religious Female version of The Punisher that kills demons instead of criminals.  
 
Of the four, I'd say my favorite was Master Darque.  Yeah. . .it's really close to being a straight up copy of Books of Magic, but that Leonardo Manco art though!  The worst was Lita Ford.  It's amazing just HOW bad that comic is.  But that one bad apple aside, the other three were actually decent reads.
 
Up Next. . .
 
only knows what my daughter will give me next.  
MORE off-brand one shots!
 
Be there or be square.

- read more

Longbox Junk - Off-Brand One Shots (part 1)

5346 views • Nov 25, '19 • (0) Comments

Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for!

I believe I've mentioned in a couple of posts that I've recently come into two longboxes STUFFED with non-DC/ Marvel comics. . .mostly from the 90's.

I bought the boxes from a closing comic shop (another one bites the dust, R.I.P.) for a measly FORTY BUCKS because the shop owner knew that nobody else but me was going to touch them.  Indeed. . .his closing sale had been going on for a week and he hadn't sold but a few comics from those boxes.

SO. . .

Here I sit with about SIX HUNDRED random comics from mostly-defunct comic publishers like Valiant, Malibu, Innovation, Eclipse, NOW, Impact, Continuity, Topps, CrossGen Chaos, and others I've never even heard of.  Along with a healthy sprinkle of older comics from companies that are still chugging along like Dark Horse, Image, and Antarctic.

What to do with all of that fine Longbox Junk? Unfortunately, there isn't much that's complete, as far as runs or mini's. . .so despite the bounty of bargain box books at hand, they don't really fit my concept for Longbox Junk, where I generally try to get into full runs and complete stories.

BUT. . .

Among all the incomplete runs and story fragments, there is a big, beautiful stack of ONE SHOTS!

If you've been reading this blog for a while, then you know the love I have for the one shot!  It's probably my favorite form of comic art.  The creative team has ONE and ONLY ONE issue to tell a complete story.  There's no room for error. . .no "well, maybe next issue will be better", like there is in a series.  I absolutely love seeing if a creative team can step up to the challenge of the one shot.

So let's get into some of these non-DC/Marvel one shots, shall we?  We shall!

RED SONJA

A DEATH IN SCARLET

Cross Plains Comics (1999)

 
A DEATH IN SCARLET
SCRIPT: Roy Thomas & Steve Lightle
PENCILS: Steve Lightle
COVER: Steve Lightle

THE COVER: 
Very nicely done! Lots of detail, great colors.  I like the way the main subject sits against the stark black background.  Sonja's face is a little strange, and there's no way I can hang this one on my office wall without an awkward appointment with HR (but that's Red Sonja covers in general, not just this one), but I like this one a lot!

THE STORY: 
A young Sonja learns the trade of thievery from a woman named T'Shika in the city of Khorsun.  When a theft goes wrong and the two find themselves pursued by the private army of a rich trader, Sonja stumbles into knowledge that the trader had something to do with the death of her family.

Sonja turns from hunted into hunter as she and T'Shika infiltrate his palace and find an ally in the form of an enslaved shape-shifting priestess called Sabra.  Unfortunately, in the battle to get close to the trader and gain information, Sonja accidentally kills him and is forced to leave without getting any closer to those who killed her family.

The End?

THE REVIEW:
  Although listed as a one-shot on comic reference sites, this comic looks a lot more like what was supposed to be the first issue of an ongoing series.  It stands alone as a pretty good story, but there are a lot of obviously-dangling plot threads, including an ending that's more of a "to be continued".  That said, the legendary Roy Thomas does a great job returning to one of his signature characters.

BONUS: There's a nice little essay in the back by Thomas on how he created Red Sonja for Marvel.

 
 
The art is very nicely detailed, but the colors are often a little garish.  Not often enough to bring things down too much, though.  There's also a LOT of cheesecake going on.  Like the cover (same as the interior artist), there's a pretty hard focus on Sonja in sexy poses throughout the whole comic.  So even though the story is pretty good, this isn't really a comic you're going to want to read at work.

THE VERDICT: 
I give this comic 4 out of 5 barely-covered .

NEXT!
 

BOMBAST

TOPPS (1993)

 
BOMBAST LIVES!
SCRIPT: Roy Thomas & Gary Friedrich
PENCILS: Ayers & John Severin
COVER: Jack Kirby

THE COVER: 
A great, colorful, old school character cover by the legendary Jack Kirby. . .complete with the signature Kirby Krackle! To be honest, the character himself looks a bit generic.  That said, this is the kind of cover that makes you want to see what's inside.  I REALLY like the bombastic text advertising the all-star classic creative lineup and the hilarious (to me, anyway) "1 of 1 COLLECT 'EM ALL!" tag.

THE STORY: 
A strange earthquake rocks the city of Chicago, opening a deep chasm that a young street punk named Darren falls into.  He finds himself in a mysterious cave with glowing rocks and a strangely-dressed man in a crystal pod.  As he investigates, he accidentally opens the pod and frees the man, who speaks in a strange language. . .but we readers know that he's a "ninth man" named Bombast with a mission to save the world of the "tenth men" and he's been in the pod for 15,000 years!

The confused Bombast leaves the chasm with Darren and begins to explore the unfamiliar world of technology he's found himself in.  When Darren is attacked by drug dealers he owes money to, Bombast saves him by using superhuman powers that allow him to turn almost anything into a deadly thrown weapon.  The battle brings Bombast to the attention of Chicago's resident super-cop, The Savage Dragon!

Bombast realizes he can't defeat Savage Dragon and is forced to escape.  Soon after, he encounters a strange metal-clad being named Death Flash who speaks his language.  Death Flash reveals that he is also a ninth man, but he is there to destroy humanity.  After a short battle, Bombast returns to the chasm, hoping to find some information to guide him.  He encounters yet another ninth man called Glida.  As they battle, their fight is interrupted by ANOTHER ninth man named Captain Glory, who somehow knows both of their names.

The End. . .to be continued.

THE REVIEW:  
There's a LOT of old school talent on this book!  That said. . .the finished product sadly doesn't  match the promise held in those names.   It's a shame to see such a waste.  The story is actually pretty poorly-written. . .especially in the dialogue, and in particular the dialogue of the reader's entryway into the story, the young, black "junkie" who discovers Bombast.  To be perfectly honest, most of his dialogue is extremely cringeworthy and borderline racist.  It almost breaks the story, it's so bad.

Setting that aside, the character of Bombast himself is just as generic as I was afraid of based on his cover appearance.  His powers are vaguely defined (he can. . .throw stuff?), he looks pretty ridiculous, and his dialogue is slightly annoying.  To make matters worse, his foe "Death Flash" rolls around Chicago on roller skates.

I realize that the creative team were going for a sort of late Silver/ early Bronze Age throwback style, and to their credit, they succeeded. For a comic written in 1993, this looks and feels exactly like something from the early 70's!

Unfortunately they didn't succeed in a GOOD way.  Instead, this is the sort of cringeworthy stuff that people making fun of the Silver/Bronze Age point and laugh at.  Maybe it was done on purpose? I sort of hope so, because then it's kind of brilliant, in a way.  If not, then it's just a pretty poor effort.  Sadly, I have the feeling this wasn't SUPPOSED to be bad.

 
 
The art serves the purpose of telling the story, but doesn't try to reach any higher than that.  Like the writing, I was expecting a little more from names like Ayers and Severin.  This whole comic just sort of feels like the minimum effort was put into it.

BONUS DISAPPOINTMENT: My copy didn't even have the Super Deluxe KirbyChrome trading card.  A single tear slowly trickles down my cheek. 

THE VERDICT: 
I give this comic 2 out of 5 old white guys trying to figure out how young black people talk.

NEXT!
 

GRIMM FAIRY TALES

2017 ARMED FORCES EDITION

ZENESCOPE (2017)

 
BLOODLINE
SCRIPT: Joe Brusha & Dave Franchini
PENCILS: Ario Murti
COVER: Alfredo Reyes

THE COVER: 
As a former Marine, a red-blooded male, and a general "America, Yeah!" kind of guy, this cover immediately grabs me.  It's bold and very nicely done.  If I could hang this on my office wall without multiple HR complaints, I would.

BUT. . .

As an adult comic reader, it's a little embarrassing.  I would never have bought this if it hadn't come to me in a giant box of random comics.  My daughter was laughing when we were pulling one shots to the side in a separate pile (there's about 30 more) and she spotted this one.  She asked who buys these kinds of comics.  I didn't have a good answer.  That's why it's in this review.

THE STORY:
In the dead of night at the National Museum of American History in Washington, D.C., a mysterious hooded woman tracks her prey through the dark halls of the museum, pausing to briefly reflect on her family's long and dedicated military service to the United States through history as she passes by various displays.

Finally, she confronts a giant bull-headed creature with glowing red eyes and leaps into action, revealing herself as Belle, Hunter of Beasts! And. . .nope. That's it.

To be continued.

THE REVIEW:
What little "story" there is in this comic takes up a total of three and a half pages, and is actually just a preview for a (then) upcoming series.  For what it is, it's well-written and nicely-illustrated, but it's hardly worth even calling a story.

So this is a pretty thick comic.  What's in the rest of the pages?

It's all single page pinups of scantily-clad women with barely-there "military" wear and guns.  So, yeah. . .except for the preview at the front, the rest of this comic is -tastic military soft .

 
Now, don't get me wrong.  The art is great on all of them, and I've got nothing against some fine-lookin' comic ladies. . .but it's just sort of embarrassing that comics like this exist.  It reminds me of the old "Swimsuit Specials" Marvel used to put out before they realized everyone was making fun of them for it.  And indeed, my daughter was laughing when she challenged me to review this.

Challenge accepted, punk! BOOM! Here's your review!

BUT I DIGRESS. . .

Talking about the cover above, I mentioned that my daughter and I were pondering who exactly buys these comics.  Who are they created for?  The only answer I really can think of is that there's a LOT of fantastic artistic talent being wasted appealing to the most basic interests of young men, and that (based on the other handful of comics from this publisher I now own) Zenescope as a company in general exists to profit from those basic interests.  Those basic interests being .

Seriously. . .there's some great talent in this "comic" going to waste on stuff like this.  Judged on the art alone, there's a lot to like.  Unfortunately, the direction that art is pointed is disappointing.

THE VERDICT:
I give this comic 4 out of 5 anonymous HR reports for the art.
1 out of 5 skipped ads for the "story".

I feel dirty now.  MOVING ALONG!
 

MARRIED. . .WITH CHILDREN

BUCK'S TALE

NOW COMICS (1994)

 
BUCK'S TALE
SCRIPT: Geoffrey White
PENCILS: Eddie Pittman
COVER: Tom Richmond

THE COVER:
Not good.  It looks like something a teenager would draw for high school art class.  The (accidental, I promise) running theme with this batch of one shots (except Bombast) seems to be focused on nicely-illustrated with the woman's face as an afterthought.  This cover is no exception. Everything but Kelly Bundy's is pretty poorly done.

 I'm familiar with the Married. . .With Children T.V. show, but until now have never read one of the comics.  This cover does NOT give me confidence that it's going to be any good. Let's do it!

THE STORY:
We follow the tragic tale of the Bundy's dog, Buck, beginning with his early days as the unwanted pup of a stray and a purebreed poodle living on the streets and searching for his father among the mongrels of the stray dog underground.

After finally finding his father and being rejected, Buck is saved by Bud and Kelly Bundy, who use him to gain sympathy as they scavenge for food.  After proving himself useful, Buck becomes a member of the dysfunctional Bundy family.

The End.

THE REVIEW:
I came into this without much confidence based on the minimum effort given to the cover.  I wasn't wrong.  This whole thing feels sort of pointless and random.  None of the jokes really hit until Buck is in the Bundy home and we get some of that classic "Peg vs. Al" back and forth that made the T.V. show a hit, but it's too little and too late.  The rest of it is just sort of "This happened and then this happened" with surprisingly little humor for what is supposed to be a comedy-based comic.

I digress a bit, but I see this often in licensed comics.  Some things just don't translate well from screen to page.  Comedy is definitely one of them.  It's a rare thing for a comic book to be able to capture the same spark of comedy as its source material.  This comic not only doesn't capture that spark (with the exception of a few gags toward the end), but doesn't even try that hard to do so.

The art is bright, cartoony, and very exaggerated.  For what it is, it's pretty good.  The art tells the story, but doesn't try to go any higher than that.  The artist doesn't really capture the essence of any of the T.V. characters very well beyond the world-weary Al Bundy, who is the only real bright spot in either writing or art in this comic. . .and his few scenes are at the very end of the story
 
Overall, this is just a very forgettable comic with surprisingly little comedy for being based on a classic T.V. sitcom.  Where Married. . .With Children the T.V. show subverted normal sitcom tropes to become something unusual, Married. . .With Children the comic book is pretty much by the numbers.
 
THE VERDICT:
I give this one 2 out of 5 hands down the pants.

CONCLUSION

 
This first handful of off-brand one shots was pretty disappointing.  For me, Red Sonja was the best of the bunch, with the rest showing either a lack of effort or too much effort in the wrong direction.  Let's hope for a bit of improvement in the next batch my daughter has picked for me to review.
 
Up Next. . .
 
Single issue offerings from Rock-It Comix, Arcade Comics, Antarctic Press, and Acclaim Comics coming in the next Off-Brand One Shots Edition of Longbox Junk. 
 
Be there or be square!

- read more

Longbox Junk - Video Game One Shots Special Part 2

5372 views • Feb 14, '19 • (2) Comments

Let's do away with the long intro this time out.  If you've read Part 1 of my Longbox Junk video game one shot special, then you know what this is about. . .Video game-based one shots. 

If you haven't read Part 1 yet, I have to ask. . .

Why are you reading Part 2 first? You some kind of Commie?

- read more
1 2 3 4 5 6...30 Previous >>

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