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  • atom | Male | Utah

"I have a lot of issues. . ."

I write comic book reviews that NOBODY has ever asked for!

May 2022




Welcome back to Longbox Junk, where you can find all the comic reviews you ever, er. . .NEVER. . .asked for!

It's October!  It's that time of year when you can buy a ten pound bag of candy and not feel a single bit of shame!  Here at Longbox Junk, we've been having a fine little Halloween party.  All this month I've been taking a look at some of the older and/or more valuable comics in my collection that lean toward the supernatural.  It's been a bit hit or miss so far, but it's been a lot of fun digging into the darker corners of my longboxes.
Let's keep the party going with another visit to the Bronze Age!
Ready?  Let's do it!


DC (1975)

COVER: Ernie Chan
Another great Halloween cover!  The top is a little cluttered, but that doesn't take away from the creepy image of a hand. . .reaching. . .slowly. . .toward. . .YOU!  Ernie Chan does a great job of bringing this nightmarish scene to life!  Let's see what's inside. . .
There's just two stories in here this time.  Let's hope they're good ones!
SCRIPT:  Jack Oleck
PENCILS:  Ruben Yandoc
A cruel Duke who rules his fiefdom with an iron fist despite being born without legs desires to marry his young and beautiful ward, which is against the religious law of the land.  Determined to win her love by being a "whole man", he tries to gain legs by appealing to a monk purported to have the power to perform miracles.  
When he is spurned by the monk after revealing that he wants legs in order to marry his young ward, the Duke flies into a rage and beats and imprisons the monk before throwing in his lot with the powers of evil and going to a witch to try to gain legs.

  Initially, the witch refuses, but after she is tortured by the Duke and her daughter is killed by the cruel man, she relents and uses her powers to give the Duke legs, but she also delivers a curse upon him before he kills her to hide his secret.

Now whole, the Duke proclaims his love for his ward, but since he has raised her from the time she was a child, she sees him as a father figure and rebuffs his proposal. 
 Infuriated, the Duke goes ahead with the wedding plans, even if he has to force the girl to the altar.  The religious authority of the realm refuses to go along with the Duke's sinister plans, but relents after being threatened with torture and death. 
And so the wedding takes place, but on the wedding night, the young bride rushes from the Duke's bedchamber, screaming!
The Duke's subjects quickly seize their cruel ruler and drag him to the gallows, hanging him once it is revealed that he has the legs of a goat.  And so the witch has her final revenge from beyond the grave!

The End.
Okay, not bad at all!  I really enjoyed this little story a lot.  It follows a pretty well-worn morality play story path of "If you deal with evil, you get what you deserve", but the setting and writing. . .the sinister tone of "You KNOW this isn't going to end well" , grabbed my attention and kept it from start to finish.  
But what really brought this little story to life was the beautiful, detailed art!  Just look at those pages scanned above!  I've never heard of this artist, but a bit of research shows me that he's a Filipino artist whose main U.S. comic work was on DC's "horror" titles (such as this one).  I'm definitely going to keep my eye peeled for more of this fantastic artist's work!
Overall, a great start for this comic!  A well-written story backed up by amazing art. What more could any comic fan ask for?  Nothing!  I couldn't ask for anything more than what I got right here!  
SCRIPT: Mike Pellowski & Maxene Fabe
PENCILS: Ramona Fradon
Carlton Phipps is a "Playboy" Millionaire, but is also a huge coward. 
After being embarrassed one night, he trains in martial arts until he becomes an expert.  Wanting to show off his new skill, he goes to the worst part of town and accidentally kills a man. . .worse, it's a police officer!  

He quickly blames the killing on a nearby homeless man and is hailed as a hero after falsely testifying at the man's trial, which leads to his execution. . .

But after the innocent man's hanging, Carlton begins having constant paranoid feelings of being choked and becomes convinced that the ghost of the homeless man is trying to get its revenge by killing him. . .

Finally, a doctor tells Carlton that he needs to forget his delusions with a long trip and change of scenery.  But as he pilots his private plane to Rio, a terrible storm strikes, forcing Carlton to bail out.  The next day, he's found hanging from his parachute, dead.  The ghost of the innocent man has finally gotten his revenge!
The End.
A very nice little "Revenge from beyond the grave" story!  It's short, sweet, and a bit predictable, but I really liked it a lot. . .mainly because of the standout artwork from Ramona Fradon.  She's an artist I just learned about not long ago, and I decided to keep my eye out for more of this remarkable woman's artwork.  Her cartoony, yet detailed, style reminds me a lot of Will Eisner, and I haven't seen a single panel of bad art from her yet!
Overall, we have another winner!  It's a well-written little morality play story with a "He got what he deserved" ending backed up by some simply amazing comic art.  There's nothing I don't like about this story!


There's only two stories to be found here, but panel for panel they're some of the best I've seen during this little Longbox Junk Halloween party.  They aren't really "Horror" stories, but are more along the lines of something you might see on The Twilight Zone, but both of them are well written and engaging.
The best part of this comic for me was the art!  First, some fantastic super-detailed art from an artist I've never heard of, but am definitely interested in seeing more of based on the strength of what I see here.  And then some amazing cartoony art from remarkable female comic artist Ramona Fradon, who is someone well worth looking into for those not familiar with her work.
Together, the art and writing deliver the kind of storytelling that is the reason that I'm a comic fan in the first place!  This isn't just a good Halloween comic, this is a good comic, period.  It's definitely a nugget of Longbox Junk gold.
Up Next. . .
We're going to stay in the Bronze Age, but head back over to Marvel for a look at 1973's Chamber of Chills #5.  Voodo Magic! Ghostly Hitchhikers! Criminal Insanity and More!
Be there or be square!

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Welcome back to Longbox Junk, where I write comic reviews even though nobody asked me to!
It's October!  I love this time of year, even though in all the hustle-bustle of Christmas shopping, Christmas music, and holiday crowds it's hard sometimes to remember to keep the peaceful spirit of the season in mind. 
But THAT'S Wal-Mart.  
Here at Longbox Junk, we celebrate Halloween in October. . .I know, crazy, right?  
This year for the Longbox Junk Halloween review party, I've been taking a look at some of the older and/or more "valuable" comics with a supernatural twist lurking in my collection.  It's been fun so far, so let's keep the party going!
It's just NOT Halloween without a werewolf howling at the moon!  So let's take a look at a comic featuring Marvel's own Bronze Age Lycanthropic anti-hero, Jack Russell, AKA. . .WEREWOLF BY NIGHT!


MARVEL (1973)

SCRIPT: Marv Wolfman
INKS: Tom Sutton
COVER: Gil Kane & John Romita
I absolutely love this cover!  The transformation from man to monster reminds me of some of my favorite Incredible Hulk covers.  John Romita's inks bring out the best in Gil Kane's pencils.  I'm not usually a big fan of Kane's art, but this is probably one of my favorite things by him I've seen.  It's just a great Halloween horror cover!  Let's get inside. . .
We begin our tale at an unknown location and in a laboratory of the mysterious organization known as "The Committee".  They have captured Jack Russell's father, Phillip Russell and are torturing him in order to discover the location of Jack.  Phillip refuses and the torture continues. 

In Venice Beach, Jack decides it's time to move out of his friend Buck Cowan's bungalow before his personal (and werewolf) problems become everyone else's problems too.  
He moves into an apartment complex called Colden House.  There he (and the reader) are introduced to several female neighbors, as well as the mysterious Mr. Coker, who likes reading books about the occult and werewolves (Dun-Dun-DUN!)
A masked character calling himself "The Hangman" saves the life of a young woman after she is attacked by a drug addict.  After killing the attacker, he brings the terrified woman back to his secret lair, where he claims to be protecting her from "evil" by keeping her (and several other women) in cages.
Jack manages to elude his new neighbors, who want to party with him, and make his way to the beach, where the full moon transforms him into The Werewolf!  He stumbles onto a group of young men partying on the beach.  Jack wants to avoid conflict, but they attack!
The Werewolf easily takes down the attackers, even though they outnumber him 5 to 1.  Inside the wolf, Jack keeps himself from killing any of them.  The police show up and The Werewolf flees the scene.
In the Hangman's secret lair, the vigilante removes his mask and reveals his whole origin story to his newest terrified captive.  He was a young man who believed in good vs. evil, but when he went overboard killing Ratzi's during WWII, he was court-martialled and sentenced to prison for six years.
After being released, he couldn't find a job because of his criminal record and came to the conclusion that "The System" and all those within it were corrupt, and so he decided to fight back by becoming the costumed crime fighter known as The Hangman!
As The Werewolf continues to elude the police after the attack at the beach, he runs into his sister, Lissa, and his friend, Buck.  As he approaches, The Hangman (who was patrolling the area looking for evildoers to take down) mistakenly thinks he is going to attack them and jumps down to their defense!  Lissa knows that Jack is the Werewolf, and she tries to stop the fight from  happening, but nobody listens and the Werewolf and Hangman go to it!
A brutal battle ensues between The Werewolf and The Hangman, with both of them taking a beating, but still coming back for more!  The police arrive on the scene and Jack convinces the Werewolf to retreat. 
BUT. . .
As the Werewolf flees through the city to avoid the police, The Hangman follows and manages to capture him with a rope, hanging him from a streetlight!
To be continued. . .
Obviously, this comic is right smack in the middle of an ongoing story, but even so, it was a pretty good read.  The Hangman seems to be a bit ridiculous in execution, but his origin (man whose illusion of good vs evil is shattered by the reality of war) is actually interesting as an idea.  
Despite the somewhat weak villain, I really liked the rest of the story.  Like the cover, the storyline reminds me of something that might be found in Incredible Hulk in that the Werewolf just wants to be left alone, but everyone keeps attacking him and he's forced to fight back. . .which just makes people want to keep attacking him!  Marv Wolfman does a great job making the reader feel the frustration of Jack/ The Werewolf, and that's the best part of the story.
On the art side of things. . .
I have a confession to make.  I'm not a fan of Gil Kane's art.  
Look, I KNOW that he's a legendary comic talent that stands SO high on his pedestal of admiration in the eyes of some comic fans that my humble opinion doesn't really matter. . .and I'm not here to try and knock anyone off their pedestal, but I've always found his art to be a bit. . .basic.
I'm more familiar with Kane's work from Silver Age issues of Green Lantern.  The difference between his work there and here is like night and day!  Looking at the cover and the interior art here, and then comparing them to his Silver Age work, I think I can safely say that with a good inker, Gil Kane's art is actually pretty impressive!  
Please don't hurt me.  It's only my humble opinion, and I really don't have much of Kane's work to base it on!  Suggestions of issues or series to MAKE me a fan of Gil Kane are welcome.
Whether it's Gil Kane or Tom Sutton making it look good, this is one good looking comic!  The Werewolf is snarling and , a truly nasty looking creature of the night unlike some of the later issues of this series.  The opening splash page of Phillip Russel being tortured is just awesome in its creepy detail, and really one of the best splash pages I've seen in a while!


Even though The Hangman is a somewhat weak villain, this story is well written and engaging.  It ends on a cliffhanger that makes me want to see what happens next, so it hits a good mark in managing to draw me in even though it's part of a continuing storyline that I don't know what came before.
The art is dark, it's brutal, it's nasty.  For an artist I don't normally like, Gil Kane delivers on the promise of the awesome cover by throwing down some great horror visuals that I wasn't expecting in a mainstream Marvel comic.
Overall, this isn't the best comic I've ever read, but I really liked it.  If you're looking for some good Bronze Age Mighty Marvel Monster fun, then I can certainly recommend this issue!  
Up Next. . .
We've been on the Marvel side of the Bronze Age for two posts now.  
Let's head over and see what DC was up to with 1975's  Secrets of Haunted House #3.
Be there or be square!

- read more

Welcome back to Longbox Junk, the blog stuffed absolutely FULL of comic reviews you never asked for!

It's October!  That great time of year when you see people wearing shorts AND a heavy jacket at the same time.  It's also the time of year when we celebrate spooky comics here at Longbox Junk!  
This year, I'm mixing it up a little by shining the spotlight on some of the older and/or more "valuable" comics in my collection with a supernatural twist.  It's been a bit of a mixed bag so far, but I've been having fun with it.
The comic at hand is part of Marvel's attempt to pick up the mantle of the long-running "Classics Illustrated", which stopped publishing in 1971 after a very respectable 169 issues adapting various literary works into comic form.  
Marvel Classics Comics lasted for 36 issues and ( if you like this kind of thing) are well worth keeping your eye out for.  They feature a "Who's Who" of great Bronze Age comic talent. . .this particular issue features the first published comic work of superstar artist Michael Golden on the third story.  
SO. . .
A Mighty Marvel adaptation of three of the creepiest stories ever written and featuring the first comic work of a notable Bronze Age artist?  How can this NOT be good?  Let's do this!



MARVEL (1977)

COVER: Gene Colan
We start things off with a cover by one of my personal top ten Bronze Age artists, Gene Colan.  I have to admit that I don't like this cover as much as I feel I SHOULD, but it seems like there's a bit too much wasted space.  The terrified face of the victim is great, but it's sort of hidden away down in the corner.  Not a BAD cover (I don't think I've ever seen anything by Gene Colan I'd call bad), but it could have been better.  Let's get inside!
Although this comic's title and cover leans heavy into "The Pit and the Pendulum", there's also adaptations of "The Tell-Tale Heart" and "The Cask of Amontillado" in here by the same writer, but with different artists.  Let's give them each a turn. . .
SCRIPT: Edgar Allan Poe, adapted by Don McGregor
PENCILS: Rudy Mesina
An unnamed man is brutally tortured by the Spanish Inquisition after being sentenced to death.  Relying on his wits and pure determination to live, he manages to avoid a terrible fate several times before being rescued.


Widely-regarded as one of Poe's greatest stories, this short tale of terror and torment is a simple one at heart, with no named characters and a pure focus on the torture endured and the mental toll it takes on the main character.  This is actually one of the best adaptations of the story I've seen.  
Don McGregor maintains the rambling first-person narrative of the original tale, condensing it down to the bare essence needed to translate into comic form.  Rudy Mesina backs the writing up with dark, horrific art that perfectly captures the desperate, helpless tone of the story.  
A simply fantastic re-telling of a classic tale!
SCRIPT: Edgar Allan Poe, adapted by Don McGregor
PENCILS: Yong Montano
After a caretaker murders an elderly man, he cleverly hides the body, but while being interviewed by the police, he is so tormented by the perceived beating of the dead man's heart that he confesses his crime.
Don McGregor knocks it out of the park a second time by stripping down the original narrative JUST enough to adapt it to comic form, while artist Yong Montano provides some fantastic visuals that take us on the narrator's journey to madness through some really interesting panel forms and layouts.
Together, the creative team gives the reader a dark trip into a twisted mind that makes even a story as well-known as this one a gripping read!  Very nicely done.
SCRIPT:  Edgar Allan Poe, adapted by Don McGregor
PENCILS: Michael Golden
After being somehow insulted, the injured man lures the perpetrator deep into a family vault, where he walls him up alive. . .
Once again, Don McGregor strips a classic tale down to the terrifying essence, taking just enough of the original narrative to adapt the story to comic form, and leaving the rest to the artist. 
I mentioned above that this is Michael Golden's first published comic work, and as you can see from the page scan above, he arrived with his unique style already fully-formed!  Often, when you see an artist's early work compared to their later, there can be a significant difference.  This is not the case here.  
Golden's signature realistic-yet-exaggerated and darkly-inked style perfectly compliments the horrific tale of a man lured to his death.  He deftly takes over where McGregor leaves off, providing the reader with a fantastic rendering of what normally must be created in the mind's eye.
Overall, a practically perfect comic adaptation of what is already a practically perfect story.


When I was ten years old, my introduction to the world of horror was with a gigantic illustrated and annotated volume of Edgar Allan Poe's stories that I got for a Christmas present.  The Pit and The Pendulum and The Cask of Amontillado were two stories that gripped my young attention , and they remain two of my favorite stories today.  Both of them short and simple, but terrifying in a way that no vampire or ghost story could ever be.
This comic adaptation of three stories that I have read and enjoyed MANY times are of such quality in both writing and art that they once again gripped my imagination and seemed almost new!
Bottom line. . .if you are a fan of Edgar Allan Poe or horror comics (or both), then you should have this comic in your collection.  Despite being Michael Golden's first published comic work, it's not anywhere close to being "valuable" to collectors, so copies can be found cheap. . .I paid one lousy buck for mine.  Plus I see it's on ComiXology, so there's that as well.  
If you're looking for some creepy Halloween comic reading, you can't do much better than this.
Up Next. . .
It's time to invite a Werewolf to this Halloween Party!
Marvel's Werewolf By Night #11 from 1973.
Be there or be square!

- read more

Welcome back to Longbox Junk, where I write comic reviews whether you ask me to or not!
It's October, my favorite time of year!  It's that wonderful time where I can start wearing a jacket and actually have enough pockets to carry all my stuff!  October is also a time for some spooky fun and that's just what we're doing at Longbox Junk!
All this month I'm shining the spotlight on some of the older and/or more "valuable" comics in my collection with a little supernatural flavor.  It's a Longbox Junk Halloween Retro Review party!
What's Halloween without some witches and their witchcraft?  Not much of a Halloween at all, in my humble opinion.  So let's get some witchcraft in the mix!  The Longbox Junk paper time machine is fueled up and ready to head back to the Golden Age. . .Let's do this!



COVER: Gene Fawcette (?)
Now that's a great Halloween cover right there!  It's a real Golden Age comic rack eye catcher, with the dark skull standing out perfectly against the bright yellow background.  I also really like the gradient colors on the title.  It really gives this cover a nice finishing touch.  This one is another one of my favorites.  I probably paid more for this comic than I normally would because I just HAD to have that cover in my collection.  Let's get inside the comic and see what else is happening, shall we?  We shall!
It's a typical Golden Age comic book heavy load!  For one lousy dime readers in 1952 got four full comic stories plus a one page text story under that awesome eye-catcher of a cover.  Let's check 'em out!
SCRIPT:  (?)
PENCILS: Norman Nodel
INKS: Vince Alascia
After being caught red-handed for theft, the resident hypnotist of a travelling circus makes a strange confession.   His powers come from a parasitic tattoo that slowly drives its host to evil acts and insanity.  After the hypnotist kills himself, the tattoo begins pursuing his young assistant and her lover.
Okay, not a bad start.  It's one of those "Mysterious happenings at the circus" tales that the Golden Age seemed somewhat fond of.  I've noticed that there's a fair chance that any Golden Age "suspense" comic is going to have some sort of circus story in it. 
That strange observation aside, the ending of the story is pretty abrupt, but that's really the only complaint I have here.  The art on this one is the real star, though.  It's a great example of how some Golden Age art really stands the test of time.
PENCILS: Edward Goldfarb
After a trio of disgruntled assistants murder a famous ventriloquist, his spirit possesses the ventriloquist's dummy, slowly transforming it into a vampiric creature that kills the murderers one by one.

It's a well-worn "Revenge from beyond the grave" story, but it's well written and is backed up by some more very nice Golden Age art.  I'm not a fan of typeset lettering, but it doesn't distract too much.  The only problem I have with this little tale is with the possessed ventriloquist dummy ALSO being a vampire.  It seems like putting a hat on a hat. . .one evil thing is good, two things is a bit overdone.
(One page text only story with illustrations)
PENCILS: Joe Kubert 
A murdered man's ghost reveals the face of his killer to his wife.

It's a pretty straightforward telling of what is supposedly a true ghost story (even though I couldn't find any mention of it from internet searches of the names, etc.).  Probably the most interesting thing about it is that if it IS based on true events, then testimony of ghostly visitation leading to capital punishment is a pretty low bar for evidence in a murder trial.  Also, it has a couple of illustrations by my all-time favorite comic artist, the late, great Joe Kubert.  Unfortunately, they're so badly inked that you can barely see his style.
Overall, not a bad little space-filler.
PENCILS: Sid Check
A scientist obsessed with the secret of life finally succeeds with one of his experiments, but in the process, he accidentally brings life to his house!  As the living house drains the scientist of his life, he finds himself steadily shrinking and is killed when he tries to escape.  After the scientist's death, the house puts itself on the market in order to lure more victims.
It's a sort of strange combination of well-used "Science gone wrong!" and "Inanimate thing comes to life" story paths, but it's pretty well written and not too bad of a little tale.  But, like the "Vampire Dummy" story above, it sort of puts a hat on a hat by the house draining the life from people AND making them shrink into non-existence.  One or the other would have been fine.  Both is a little much.  But back on the good side of things, this story continues the track record in this issue of having some very nice Golden Age artwork backing it up.
SCRIPT:  (?)
PENCILS: A. Albert
INKS: Joe Kubert
An expedition searching for uranium in the arctic comes across evidence of ancient Vikings, but soon find themselves stalked and killed one by one by vengeful spirits angry at their rest being disturbed.  After finding the Viking's ship with long-frozen bodies and a hold full of gold treasure, the leader of the expedition ends up being the lone survivor when his greed gets the better of him and the ship sinks.
It's another "Vengeance from beyond the grave" story mixed in with some "You should have listened to the natives" thrown in.  Aside from the well-worn story path, this one is just sort of awkward for some reason.  It feels a bit rushed, and is probably the worst story of the bunch.  Even so, it's not BAD.  
I was a bit excited to see there was some inking by Joe Kubert on this one.  Unfortunately, the pencils aren't that good, and Kubert's inks can't do much to improve them.  Overall, not a great way to finish the comic out.


Not bad.  Not bad at all!  Not great, mind you, but still a very readable comic even after 68 years!  The stories all have minor problems, but nothing big enough to call any of them bad.  The art is mostly the best part of the stories (with the exception of the final story, and even there it's not too bad), with a great, darkly-inked Golden Age style that does most of the heavy lifting in this issue, bringing "okay" stories up a notch.
If I have one gripe with this comic is that there's no Witchcraft in it!  The series is called "Witchcraft", where's the witches and their craft?  Instead of Witchcraft, we get a handful of decent "Supernatural Suspense" stories with nary a witch to be found!
Lack of witchery aside, I liked this comic.  I'd definitely recommend it for anyone interested in some very nice Golden Age artwork backing up some pretty good suspense stories under a great eye-catcher of a cover.  
Unfortunately, it seems that only the first story has been reprinted (in a 2006 collection of Golden Age stories called "Chamber of Mystery") and this issue is surprisingly pricey for an original in good condition.  I discovered that even in the somewhat rough shape mine is in, the forty bucks I spent was actually a very sweet deal indeed.
Up Next. . .
The Longbox Junk Halloween party ain't over yet!  Not even close.
How about heading back to 1977 for a look at Marvel's take on a classic tale of terror?  I'm talking about  Edgar Allan Poe's The Pit and The Pendulum (and two other stories)!
Be there or be square!

- read more

Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for!
You gotta love this time of year.  Pumpkin spice Pringles.  Miserable dogs forced to wear little costumes.  Candy Corn.  What the heck IS Candy Corn anyway? Never mind. . .I don't want to know.
In the meantime, in the dank basement of Longbox Junk headquarters, there's a machine that smells like musty paper.  It's the Longbox Junk time machine, and I've got the dial set to 1974.
*Puts on ridiculous steampunk goggles*
Please place all personal belongings under your seat and dispose of all candy corn!
*Pulls gigantic lever*


DC (1974)

COVER: Frank Robbins
Wait.  How the &$#@ did THIS get approved by the CCA?  Frank Robbins throws down a disturbing, disgusting vision of horror that raises a gory middle finger to the very IDEA of the CCA.  
I love this cover.  It's one of my Halloween favorites and has taken a few turns up on the Halloween version of the "Wall O' Covers" at my office, and it's also usually the one that gets enough comments that I debate the wisdom of having it up there in the first place.  THIS is what a Halloween horror cover should be!
Just two stories under that awesome cover.  Let's hope they're good ones!
SCRIPT: John Albano
PENCILS: Leandro Sesarego
When a young boy accidentally discovers a strange spirit, they slowly become friends.  The spirit reveals that he's in hiding after escaping punishment for a crime he didn't commit.  When a ghostly bounty hunter discovers the spirit's hiding place, he manages to escape by using a trick he learned from his young human friend.
Hmmmmm. . .okay.  It's a sort of "unlikely friends take on the world" story with the most interesting parts being the growing friendship between a boy and a hideous spirit in hiding.  I liked it because (unlike a lot of these stories I'm finding in these anthologies) at least it's pretty original.  On the other hand, the art isn't doing anything it absolutely doesn't have to do beyond telling the story.  
Overall, a pretty good read.  It seems like the sort of thing Disney would make into a kid-friendly Halloween movie. Not the greatest story ever, but it's sort of unusual, and that's a good thing.
SCRIPT: Michael Fleisher & Russell Carley
PENCILS: Alex Toth
After Ice Cream man Ernie Baxter is somehow transported to King Arthur's domain, he avoids execution through the power of delicious ice cream, and is celebrated as a great wizard.
Not long after, Ernie decides that even though he is given almost anything he wants, he wants more, and so plots to kill the King and take over Camelot.  Unfortunately for Ernie, he was being closely watched by rival "wizard" Merlin.
Merlin warns the King of Ernie's plot and uses his own magic to turn Ernie into ice cream, which is then served at the King's banquet. . .

Okay then.  Hmmmmm. . .
It's basically a good old "Fish Out of Water" story combined with the equally well-worn "Greedy person gets what is coming to them" story path.  It's sort of an unusual mashup, but it actually works pretty well.
Like the first story in this issue, this one isn't the greatest comic story I've ever read, and it's certainly not scary in any way, but it IS fun, engaging, and well-written.  
That said, for me the best part of this story was the great artwork by the legendary Alex Toth.  Toth brings his signature style to this strange little tale and makes every page worth an extra moment of lingering over.


What we have here are two stories that I would describe as "Pretty Good".  One that gives the "unlikely friends take on the world" a supernatural twist that makes it read like a Disney Halloween special.  And a second story that mashes the "fish out of water" and "greedy person gets what is coming to them" tropes together for a comic book repaint of "A Connecticut Yankee in King Arthur's Court".
Both of them are well-written and engaging.  With the exception of Alex Toth's typically amazing artwork in the second story, neither of them are great or particularly memorable.  They're just "Pretty Good" and not much more than that.
Overall, I'd recommend this comic to anyone looking for a couple of fun stories with some supernatural flavor.  This comic doesn't seem to be very "valuable" at all to collectors, so copies should be out there at decent prices.  I got mine out of a bargain bin for a buck.  I'm sure there's plenty more out there.
Up Next. . .
It's back to the Golden Age for another Longbox Junk Halloween Retro Review!
Join me as I take a look at Witchcraft #2 from 1952. . .because what's Halloween without some witchcraft?  I say it's not Halloween at all!
Be there or be square!

- read more

Welcome back to Longbox Junk, the blog stuffed FULL of comic reviews nobody asked me to write!
It's that time of year again! October. . .the season of harvest, spooky fun, and questionable costume choices!  Here at Longbox Junk we're throwing a little Halloween party where I'm shining the spotlight on some of the older and/or more "valuable" comics in my collection with some supernatural flavor.  
This time out, I'm sending the Longbox Junk paper time machine back to the Bronze Age for a look at a comic book that Marvel insisted was actually a "Magazine" because it was a little bigger than a comic and printed in black and white. . .it was an earnest dodge of that pesky Comic Code, of course. 
 They put out  quite a few runs of these black and white "Magazines" , to varying degrees of success.  Most of them lasted a year or less.  The most enduring and popular being Savage Sword of Conan, which lasted until 1995 with an astounding 235 issues!  The series at hand only lasted for 10 regular issues plus an annual. Not close to SSOC level, but better than most of the others.
Monsters Unleashed #10. . .featuring that cadaverous cut up himself, FRANKENSTEIN! 
Let's do this!


MARVEL (1974)

COVER: Vicente Segrelles
It's a very nicely painted cover, that's for sure!  The monster IS a bit horrific, but this actually looks more like a fantasy cover than a horror cover, with a sort of "Beowulf" feel to it.  That doesn't take away from this great piece of art one bit, though.  I always say that Gold Key and Dell had the best painted covers, but it looks like 70's Marvel was at least TRYING to give them a run for the money on their "Magazines" at least.  Let's get inside!
Three full stories and a one page space filler in this issue. . .with a very nice selection of Bronze Age comic talent on hand.  Just looking at the names on the credits makes me want to jump right in!
(One Page)
SCRIPT: Tony Isabella
PENCILS: Pablo Marcos
A one page appetizer about an explorer who claimed to have seen a gigantic hairy monster-man in Africa. . .with the twist being that he was actually the first white man to have reported sighting a gorilla.
For a one page space filler I REALLY liked this!  Credit due to one of my favorite Bronze Age writers (Tony Isabella) for doing a lot in such a little space!  The art also knocked it out of the park, making this a fantastic opening for this comic. . .er. . .MAGAZINE.
A great start. . .let's get into the main course!

SCRIPT: Doug Moench
PENCILS: Val Mayerik
During a journey without a destination that he knows of, Frankenstein's Monster boards a train and meets a young woman who shows him the kindness that few others ever have, and they become friends in a short time.
Suddenly, the train comes under attack by a group of gunmen aboard.  It seems that the President of the United States is aboard the train and is the target of an assassination attempt.  
The Monster's new friend insists that they do something to save the President, and so together they make their way through the train to the President's car, defeating any assassins they come across on the way.
It turns out that the President being on the train was just a ruse.  The Monster's friend tells him to run away before he gets blamed for all the dead men, and she stays behind to explain what happened.  But as the train leaves The Monster behind, one last assassin blows it up with a grenade, killing The Monster's new friend and leaving him once again alone.
Although the setup feels a bit forced, with the tale hinging entirely on the coincidence that The Monster somehow finds himself on the same train as the President, I really liked this story.  The spoken dialogue might be a little overblown in places, but the omniscient caption box narration running through the story itself isn't just some fine comic book writing, it's some fine writing period!  Doug Moench does a knockout job setting the scenes here.
On the art side, Val Mayerik (Who I know more from Howard the Duck than anything else) gives the story some dark and gritty Neal Adams-inspired flavor with his fantastic, detailed, grey-tone artwork.  Every panel on every page of this story is worth lingering over a moment!
Overall, despite some awkward story setup relying on a bit of eye-rolling coincidence, this is a very nice little nugget of Longbox Junk gold, with two serious Bronze Age comic talents coming together in a great way.
SCRIPT: Doug Moench
PENCILS: Sanho Kim
After a fisherman rescues a mermaid, she promises that she will be his after one year if he returns home and doesn't find happiness.  As the year goes by, the fisherman only becomes more obsessed with the beauty of the mermaid, ignoring the growing love his homely housekeeper has for him.
Upon returning, the mermaid chastises the fisherman for obsessing over her outer beauty when there was a woman with great inner beauty right in front of him.  She turns into a water dragon and kills the fisherman, to the great sadness of his housekeeper, who was actually a mermaid herself.
Another great story courtesy of Doug Moench!  He imbues this tale with a dreamlike quality, as if it is a fable being told by a storyteller.  It's a pretty straightforward "Greedy person gets what is coming to them" tale with a supernatural/ Asian twist, but Moench's writing elevates it over the well-worn path that it travels.
Korean artist Sanho Kim brings the Asian flavor this story needs in a big way!  His unusual panel layouts and delicate, detailed lines are the perfect compliment to the dreamlike supernatural fable feel of the story.
Overall, another winner!  Once again, two great Bronze Age comic talents come together in one place to deliver a story that is captivating and memorable.  An unexpected nugget of Longbox Junk gold!
SCRIPT: Tony Isabella & Chris Claremont
PENCILS: Tony DeZuniga
Greer Nelson (AKA Tigra, formerly The Cat) faces the first test of her new were-cat powers as she tracks a killer taking the form of a monstrous rat through the sewers of the city.  
Deep beneath the city, Tigra discovers an ancient vampiric being named Surisha who the Rat-Man worships by bringing her prey that she drains the life force from in order to maintain her youth and beauty.  In particular, she feeds off her victim's happiness and serenity.
During the ensuing battle, Tigra manages to turn Surisha's Rat-Man servant against her, destroying the vampire before Tigra kills him in turn, revealing to the reader at the end of it all that Surisha was powerless against Tigra because she knows no happiness or serenity.

Do you really need to look any further than the three names credited on this story to know that it's good?  You have Tony Isabella. . .creator of Black Lightning and writer of some of the best Ghost Rider issues of the original run (and one of my favorite Bronze Age writers).  You have Chris Claremont, the writer who brought the X-Men back to life and took them higher than Stan Lee ever imagined.  And on art, you have prolific Bronze Age great Tony DeZuniga, co-creator of one of my favorite comic characters of all-time, Jonah Hex. 
If you were looking for a Bronze Age all-star team to write a comic story, you couldn't do much better than this team right here!
As for the story itself, it's an interesting mash-up of superhero and supernatural that's everything you'd expect from this creative team.  It has over the top action combined with an introspective inner monologue as Tigra wonders exactly who and what she really is.  In the end, that inner turmoil haunting the character turns out to be what wins the fight for her instead of any powers or abilities she might have.
Overall, a great combination of talent gives us a great little supernatural superhero tale to end the issue.


Three for three!  Or really, four for four, if you count the one page Tony Isabella appetizer at the front of things.  But no matter HOW you count it, this comic. . .er, sorry. . .MAGAZINE is a great read from cover to cover!
I have a confession.  I'm not a fan of black and white comics.  Except for Savage Sword of Conan and getting on the Walking Dead train after #50 after the constant recommendation/ nagging of a friend, I usually let the B/W comics stay right in the bargain bin.
BUT. . .
Based on finally reading this comic (which I bought for the cover and have let sit for years unread), I think I might be interested in checking out some more of Marvel's Bronze Age Black and White "Magazines".  That says a lot about the quality of the stories and art in this issue right there.
Overall, Monsters Unleashed #10 is a very nice nugget of Longbox Junk gold.  I can easily recommend this one to anyone looking for some supernatural flavor provided by some great Bronze Age comic talent.  It's not a particularly "valuable" comic to collectors, so copies can probably be found for decent prices (I think I paid ten bucks for mine, if I remember) if you keep your eye out for it.
Up Next. . .
The Longbox Junk Halloween Retro Review party keeps going!
Let's stay in the Bronze Age and head over to DC for a look at  1974's House of Secrets #123.
Be there or be square!

- read more

Welcome back to Longbox Junk, where the comic reviews keep comin' even if nobody asks for them!

It's that time of year again, folks!  That's right. . .it's October! Just SMELL that pumpkin spice wafting from every store.  I was in Home Depot the other day and even saw some pumpkin spice-scented fire logs.  Now THAT'S commitment to the cause when HOME DEPOT jumps on the pumpkin spice train!
BUT. . .
Here at Longbox Junk, the only delicious scent to be found is the decidedly un-pumpkin spice smell of old comic paper as I pull out some of the older and/or more "valuable" issues in my collection with a slant toward the supernatural as part of the first Longbox Junk Halloween Retro Review party!
*Cracks opens plastic bag. . .Takes a deep, deep breath*
Now THAT's some vintage stank!  You can SMELL the Golden Age on the comic at hand. . .all 67 years' worth  of being passed from place to place before landing in one of my longboxes!  Mmmmmm!
What?  You want me to quit sniffin' the comic and actually READ it?  Well. . .okay, I guess.
*Takes one last whiff*
Let's do it!



COVER: Harry Harrison (?)
Just LOOK at the terror on that guy's face!  That pistol isn't doing much good, is it?  Nope. . .he's a goner and he KNOWS it!  What a great cover!  I love a cover that tells a story and that's exactly what we have here.  It makes me what to know what that creature is and what the heck is happening.  So let's get inside and see if we can get some answers!
Once again, the Golden Age doesn't disappoint, giving any kid in 1953 with one lousy dime four full-sized comic stories and a two page text piece under that terrifying cover!  Let's check them each out. . .
PENCILS: Harry Harrison
A hen-pecked man named Clarence is married to a beautiful woman who loves him only for his money.  She's having an affair and he looks the other way because he truly loves her.  When a distant relative leaves Clarence a large inheritance and a castle by the sea, his wife and her lover plot to murder him.
After being thrown into the sea by his wife's lover, Clarence is rescued by strange beings and transformed into a hideous creature, who returns to the surface to kill his murderer and to drag his wife down to the depths to undergo the same transformation.
Is it just me, or does the boyfriend look like Willem Dafoe?
So we start this thing off with a good old  "Greedy lover/relative gets what is coming to them" tale with a supernatural twist.  It's not a bad little story.  The art is pretty unremarkable and pedestrian, making the hideous creatures that save Clarence look sort of goofy instead of horrible.  The generic typeset lettering stands out, and not in a good way.  Overall, a decent story brought down a bit by some artistic choices.
PENCILS: Gerald Altman
A famous archeologist returns from Africa with a large wooden statue.  His mind is slowly consumed by the statue's demands for living sacrifices, which start small with birds and begin to escalate.  Finally the archeologist's wife leaves him, fearing for her own safety.  
He realizes he's become obsessed with the statue and decides to destroy it to save his marriage. . .but as he pushes the statue toward a cliff to rid himself of it, the statue falls on him, making the archeologist the final sacrifice.
Okay, not bad.  This one was a pretty good little tale following the well-worn path of "Evil thing kills the person who created/discovered it".  Unfortunately, like the first story, the art brings things down a notch. The art is pretty workmanlike and bland to begin with, but is made worse with some sloppy coloring that really stands out on several pages.  
(Two page text only story)
A reporter hears the final confession of a convicted murderer just hours before his execution.  In it, the prisoner claims that he and his brother had always been able to communicate telepathically, so when his brother's body was taken over by an evil spirit during a failed ceremony, he rushed to his aid, killing his brother in order to drive the spirit out.
I know that these text features were probably some of the least popular parts of these comics, and most of them were pretty obvious space filler, but I'm also discovering that there's actually some pretty good little bite-sized stories to be found in them.  Truthfully, I found this tale to be the best of the bunch in this comic.  I wouldn't have minded seeing it expanded into a fully-illustrated offering.  Not bad at all.
PENCILS: Vince Napoli
When a greed nephew promises his dying Aunt that he'd take her place if he could, in order to get her money, her ghost holds him to that promise, haunting him until he accidentally kills himself inside her crypt.
Yep. . .it's another "Greedy lover/ relative gets what is coming to them" tale with a supernatural twist.  Actually, I liked this story better than the first (the opening story in the issue).  Unfortunately, this one is brought down by the art (and generic typeset lettering) in the exact same way, giving us a pretty good ghost revenge story taken down a notch by some pretty pedestrian art.
PENCILS: Henry Kiefer
When a poor family moves into an old mansion inherited from a departed Aunt, they discover that the house is haunted by ghosts of pirates who killed a comrade and buried him beneath the floorboards.  The youngest son observes the ghostly figures hiding their treasure behind the bricks of the fireplace.  After checking, the family discovers a hoard of gold and they quickly decide to move out of the haunted house with their new fortune.

This story is just kind of. . .there.  It's not bad, but it's also not really memorable in any way.  The art suffers from the same workmanlike style seen in the rest of the comic, telling the story, but not doing it any favors beyond that.  Overall, it seems like there wasn't much effort put into this story.


Unfortunately, this comic didn't really live up to the promise of that great cover.  It's basically a collection of stories that are actually pretty decent, but are brought down by some pretty basic and workmanlike art (as well as some sloppy coloring and bad typeset lettering).  
It seems strange that a comic with four different artists can turn out to be so average in the art department.  One would think that at least one art style would stand out, but here every one of the artists straddle that straight middle line of being good enough to tell a story, but not good enough to make it any better.  
Overall, this comic is a pretty average read.  Almost completely unremarkable or memorable.  It's not a BAD comic, it's just the sort of thing you read and forget about almost as soon as you're done.  
This seems to be a pretty pricey comic in good condition, and I'm not sure that great cover is worth paying TOO much for, but I found mine at a flea market for five bucks, so it's out there if you keep your eyes open.  Because it's so utterly average, I'm a bit hesitant recommending this comic to anyone except specific fans of 1950's horror/ suspense comics.
Up Next. . .
You guessed it. . .another Longbox Junk Halloween Retro Review!
Let's jump the paper time machine forward to the Bronze Age for some Marvel Style monster fun with 1974's Monsters Unleashed #10!  It's gonna be Monster-ific!
Be there or be square!

- read more

Welcome back to Longbox Junk, where I write comic book reviews whether you ask me to or not!

It's that time of year again!  That's right, folks. . .it's October!  Leaves turning beautiful colors, the weather turning cool and crisp, and the sweet smell of pumpkin spice hand sanitizer!
We've been having a little Longbox Junk Retro Review Halloween party lately, but then I realized SOMETHING was missing!  What kind of Halloween party is it without that debonair creature of the night, Count Dracula?  In my humble opinion, it's not a party at all!
Let's go ahead and invite the dastardly Count into the house! 


DELL (1962)

COVER:  L.B. Cole (?) or Vic Prezio (?)
I've said it before and I'll say it again.  In my extremely humble opinion, Dell and Gold Key comics had some of the all-time BEST comic covers!  Don't try to fight me on it, I'll defend that hill until the end! 
This is another in a huge list of fantastic painted covers from Dell.  It makes regular appearances on the Halloween version of my "Wall O' Covers" in my office at work.  What can I say about it?  Just LOOK at it!  THIS is what a Halloween comic cover is all about right here!  
Under that beauty of a cover there's one full comic story taking up most of the issue, along with three one page space fillers.  Let's take a look at them each in turn. . .
(One Page, Black and White)
SCRIPT: Bernhardt J. Hurwood (?)
PENCILS: Robert Jenney (?) or Max Elkan (?)
Basically a one page piece on a mischievous Russian folklore creature similar to a siren.  Actually pretty interesting and well-illustrated.  It would have been nicer in color, though.  Not a bad appetizer for the main course.
On to the main story!
SCRIPT: Bernhardt J. Hurwood
PENCILS: Robert Jenney (?) or Max Elkan (?)
Our tale begins on a dark and stormy night as physician and staunch man of science, Sir Basil Shawcross speeds to the home of  Professor Janos Tesla, expert in literature and folklore, and a good friend of Shawcross. . .

Upon arrival, the distraught Shawcross demands Professor Tesla tell him everything he knows about the legendary creature known as the Vampire.  Tesla proceeds to inform Shawcross (and the reader) about the history and known powers of Vampires.  Shawcross seems reluctant to accept that such a supernatural creature can exist, despite his friend's belief. . .
Tesla asks Shawcross exactly why he's come so late and asking such strange questions.  Shawcross hands over a telegram announcing the death of his son, Bruce, in Transylvania, where he had been working as an artist.  
He continues with descriptions of his son's letters home, which started off normally until the night he met a mysterious, beautiful woman in a village graveyard, a woman named Irina who immediately captivated the young man over the course of the nights they met. . .

Bruce's final letters home spoke of his intent to marry Irina, as well as a strange illness that had come over him with a terrible weakness and vivid horrific nightmares.  Then the letters stopped, except for the telegram with the news of his death.
Shawcross is determined to travel to Transylvania to collect his son's body and find out what happened.  He wants Professor Tesla to accompany  him.  Tesla fears that Shawcross will be in grave danger travelling alone, so he reluctantly agrees. . .
Having some idea of the supernatural creatures they may encounter, Tesla makes preparations over the next couple of days before the two friends travel to Transylvania.  Upon arrival, they find suspicious villagers and discover that the body of Shawcross' son has gone missing!  
They decide to start their investigation at the inn where Bruce died.  Shawcross takes his son's room over the objections of the innkeeper.  That night, Shawcross wakes to find his supposedly dead son standing at the end of his bed!  
Bruce demands that his father accompany him at once and alone.  Shawcross reluctantly agrees, but as the pair set off in a carriage in the dead of night, they don't realize that Professor Tesla is following them. . .
In the carriage, Bruce introduces his father to Irina, informing him that they have been married.  Irina explains that they are travelling to meet her Uncle, Count Dracula, at his castle.  Upon arrival, Shawcross is introduced to Dracula while Tesla observes unseen. . .

As Dracula offers wine to Shawcross, Tesla rushes in shouting that they are all vampires and he's fallen into their trap!  Dracula admits that the game is up, and that he wanted to make Shawcross an offer. . .as a doctor, it will be easier to provide the vampires with blood than by hunting.  He offers Shawcross riches in exchange for his services.
Shawcross refuses and Dracula attacks, intending on turning the doctor into a vampire and forcing him to do the Count's bidding.  Tesla rushes to his friend's defense, using garlic and wolfsbane to drive the vampires back. . .but he's too late to save Shawcross, who has a heart attack during the fight.

As Shawcross lays dying in Tesla's arms, he asks him to save his son.  As the sun rises and Tesla brings Shawcross' body to the village, he decides to honor his friend's final wish and work toward finding a cure for the curse of the vampire. 

The End.
Okay.  Hmmmmm. . .
Not bad. Not bad at all.  A pretty good read.  The ending seems a bit rushed compared to the slow burn build up at the beginning of the story.  It looks like this was originally pointed toward an ongoing story with Professor Tesla vs. Vampires (that was abandoned in favor of the infamous "Superhero Dracula" series that came a few years later), which would explain the sort of dangling nature of the ending.
Other than that, I can't find much to fault in this creepy little tale.  It's well written, it has interesting characters, and I want to see what happens next.  Unfortunately, this is all we get of this story.
On the art side of things, I was pleasantly surprised to find some decent art in a Dell comic. . .which is a bit of a rare occurrence.  Dell may have had some of the best painted covers that have ever graced a comic rack, but the art inside is pretty consistently disappointing.  Is it the best comic art I've ever seen?  Not even close.  But compared to a lot of Dell's art, this stands as an exception to the standard "Great Cover. . .Lousy Interiors" I automatically assume whenever I see one of those great painted covers.
Overall, a nicely done story.  A good amount of meat on the bone to be found here.
Let's check out the final bits. . .  
(One Page, Black and White)
SCRIPT: Bernhardt J. Hurwood (?)
PENCILS: Robert Jenney (?) or Max Elkan (?)
A one page article about the strange Slavic forest spirit called the Leshy.  Another pretty interesting read with some decent illustrations.  Like the first of these, it would have been better in color.  Other than that, not a bad little space filler.
(One Page)
SCRIPT: Bernhardt J. Hurwood (?)
PENCILS: Robert Jenney (?) or Max Elkan (?)

Another one page space filler. . .this time concerning the Witches' Sabbath, and in color, unlike the other two one pagers in the issue.  This one has a lot more text, but I found it the most interesting of the three.  Not a bad finish.  Not quite a cherry on top, but not bad.


One of the best parts of these "Retro Reviews" for me is taking the opportunity to learn a little bit while I'm in the process of writing a review.  I look up the artists and writers, read up on them and what else they've done.  I check out whatever I can find on the comic itself to see if there's anything interesting or possibly controversial about it.  
During the course of writing this review, I DID discover something worth remarking on. . .but not about the comic itself, more about the modern information to be found on it. 
 It seems that about half of the sources of information on this comic (Including the specific Wikipedia page on Dell's Dracula comics) cite this issue as being an adaptation of the 1931 movie.  As you can see from the synopsis above, it is not.  I'm not sure if different sites simply copy and paste information without checking (that seems the case), but here at Longbox Junk we actually READ the comic at hand.  This is an original story, NOT an adaptation of the movie.
As for the comic itself, I found it to be well written and entertaining.  It's too bad this storyline was abandoned by Dell as they tried to move their line more toward superheroes, including their ill-advised attempts to turn Dracula, Frankenstein, and The Wolf Man into costumed heroes.
I'd certainly recommend this one to anybody wanting a decent Silver Age vampire story under a fantastic painted cover.  It might be a bit pricy to find a copy in decent condition, and it doesn't look like it's been collected or reprinted, but keep your eye out!
Up Next. . .
The Longbox Junk Halloween party keeps going!
The paper time machine is heading back to the Golden Age again for a look at 1953's Beware #13.
Be there or be square!

- read more

Welcome back to Longbox Junk, where I write comic reviews even though you never asked me to!

It's that time of year again!  That's right, 'tis the season to go to Wal-Mart and buy Halloween candy while listening to Christmas music on the overhead speakers as you shop! FA-LA-LA-LA-LA!!
Here at Longbox Junk, we're not mixing the seasons up. . .it's all Halloween all October just like it SHOULD be.  But just to throw a little extra pumpkin spice in the mix, I've decided to shine the spotlight on some of the older comics featuring spooky stuff in my collection for a month full of Longbox Junk Halloween RETRO Reviews!
Enough introduction!  Let's crank up the paper time machine for a fairly short jump back to the waning years of the Bronze Age for some 80's style supernatural fun.  Ready? Let's do it!


DC (1980)

COVER: Joe Kubert
The legendary Joe Kubert throws down a nightmarish vision in ink that punches you right in the face! This may not be on any "Top Ten" lists that I've ever seen, but in MY book it's one of my favorite Halloween comic covers.  Finding this kind of thing is why I love digging deep into those back issue bins.  Let's get inside!
A pretty good handful of spooky tales to be found here.  Four full stories.  
Let's give them each a turn, shall we?  We shall!
SCRIPT: Paul Kupperberg
A soldier from Mississippi stationed at a two man radar station in the Arctic slowly goes insane from the isolation and extreme cold.  One day he snaps, killing his commanding officer and hijacking a supply plane. . .willing to do anything to be warm again.  
During a fight in the plane, the pilot is killed and the plane crashes in the Arctic wilderness.  The soldier wanders until he finds a cabin, but the man inside warns him to go away before it's too late.  The soldier ignores him and lights a fire.  To his horror, the strange man begins to melt!
On the radio, the terrified soldier hears his base warning him that the stranger is an astronaut who has contracted a highly-contagious alien disease that forces the infected to stay at sub-zero temperature.  He'll never be warm again.
Ah, yes. . .It's the good old tried and true "forced to endure that which you hate/fear the most" story twist.  But even though the story follows a well-worn path, it's written well enough to keep me reading, and it's backed up by some really good art that elevates the whole thing several notches.  Overall, not a bad start at all.  Actually, it's a very good start. 
Let's see what's next!
SCRIPT: Mike W. Barr
PENCILS: Ernie Patricio
After a vampire hunter with a reputation for knowing no fear accidentally kills a Gypsy woman's son, he is cursed by her with a fear of sharp objects, rendering him helpless when he encounters the actual vampire he was hunting.
Ah, yes. . .it's the good old tried and true "Unfortunate Gypsy Curse" story twist.  Making this the second story to follow an extremely well-worn path.  Unfortunately, it doesn't manage to pull it off quite as well as the first.  The ending here is a bit of an eye-roller.  The art here is pretty good, but some sloppy inking makes it a bit muddled, taking things down a notch.  Overall, this one isn't BAD, it just could have been better.  
SCRIPT: Carl Wessler
PENCILS: Tenny Henson
A small town sheriff is called to a travelling circus after the owner is brutally murdered.  Evidence points to one of the clowns, but he feels that there's more to the case than meets the eye. 
He quickly discovers a sordid underbelly to the circus and reveals the suspect clown as being the owner's wife who disappeared five years before.  But before the arrest can be made, all the performers confess to the murder.
The coroner informs the sheriff that there was so much damage to the victim's body that it's impossible to tell exactly WHO killed him.  The sheriff has no choice but to leave the case unsolved.
This one lives up to the title of the comic in that it presents a mystery story without any supernatural or fantastic elements at all.  It's interesting and well-written. . .not a bad little story.  Not a great fit for a Halloween entry, though.  Still, it's pretty good for what it is and it's backed up with some very nice art. . .slightly cartoony, but detailed.  Overall, I'd say that this is probably the best story here.
SCRIPT: Mike W. Barr
PENCILS: John Garcia
After a shopkeeper complains about a hood lingering outside his store and playing loud music, the young man robs the shop and shoots the shopkeeper's wife when she recognizes him.
As the shopkeeper's wife recovers, she struggles to regain her memory about the robbery until she hears loud music outside their apartment and remembers who shot her.  As the shopkeeper pursues the hood, the young man is trapped in a collapsing basement.
Ignoring the robber's pleas for mercy, the shopkeeper turns up his music to full volume, leaving the hood to die without anyone to hear his yells over the loud music.
Ah, yes. . .it's the good old tried but true "You reap what you sow" story twist.  Making this the third out of four stories in this comic to follow a very well worn story path.  I guess it's the law of diminishing returns at work here, but this last story is the worst in the book.  I guess Mike W. Barr was having an off week or something because normally he gives better than either of his offerings in here.  
To make matters worse, the artwork on this one is pretty basic, to say the least.  It tells the story, but doesn't make any effort to do anything it absolutely doesn't need to do.  Well, once again I guess I have to say they all can't be winners, and leave it at that.


Not bad!  Despite the last story being a bit of a clunker, there's some pretty good meat on this comic bone.  Almost all the stories follow extremely well worn paths, but overall I really enjoyed reading this comic.  It's not the best comic I've ever read, but it's surprisingly entertaining at the end of the day.
I'm pretty sure this comic isn't on any sort of collector's radar, and I'm also pretty certain that this is the only review that anybody has ever bothered to write about it, and probably will remain the only one in existence.  Even so, if you're looking for a decent little set of Twilight Zone "twist" style stories under a fantastic Joe Kubert cover, keep your eye out for this one in the bargain bin.
Up Next. . .
What's a Halloween party without Count Dracula? 
In MY humble opinion, It ain't a party at all!
Jump into the Longbox Junk paper time machine with me as I head back to the Silver Age for a look at Dell's 1962 Dracula one-shot.  We MIGHT even answer the question of whatever happened to the Transylvanian Twist!
Be there or be square!

- read more

Welcome back to Longbox Junk, the place to find all the comic reviews you never asked for!

It's that time of year again! Crisp fall weather, the smell of wood burning in the fireplace, pumpkin spice-flavored everything, and the possibility of seeing your otherwise very professional Sales Manager getting sloppy drunk in a sexy witch outfit at the company Halloween party!
At the Longbox Junk Halloween party, there's no drunken witches, but there ARE a bunch of fun retro reviews!  For the month of October, I'm shining the spotlight on some of the older spooky and/or supernatural comics lurking in my collection.
I've got the paper time machine warmed up and ready to take us back to 1971 for a look at DC's The Witching Hour #13.  Buckle up!  *pulls giant switch*


DC (1971)

COVER: Neal Adams
Now THAT'S a great Halloween cover right there!  The legendary Neal Adams throws down a superbly-rendered moment of terror captured in ink with a healthy dose of creep factor. . .especially for anyone scared of spiders.  This is the kind of cover that grabs you by the collar and yells "BUY ME!" in your face.
There's a healthy handful of supernatural fun to be had here.  Three full stories, a short text piece and a continuing framing sequence through the issue.  Let's take a look at each of them in turn.
(Framing Sequence)
PENCILS: Neal Adams
This one page framing sequence is the first of four through the comic (one before each story) that has Cain and Abel (The narrators of House of Mystery and House of Secrets) visiting the witches Mildred, Mordred, and Cynthia (Narrators of Witching Hour) for a New Year's Eve party where they exchange spooky stories.

It's a pretty good framework to build the issue around and features some fantastic artwork from Neal Adams.  Other than that, there's not much to see here.  Moving along!
SCRIPT: Alan Gold & Marv Wolfman
PENCILS: Gray Morrow
A man slowly goes insane as he wanders through a mysterious maze filled with strange voices and sounds.  At the end we see that he is part of an experiment being done by gigantic aliens that have taken him captive.

This little tale was a great start to this issue!  The writing really captures the victim's despair and growing insanity as he wanders the alien maze, and it's backed up with some fantastic psychedelic artwork!  
I also really enjoyed the dual narrative (you can see what I mean in the scan above) where we see what's going through the victim's head, but at the bottom of the page is text telling the story from another point of view.  It's an interesting story device I haven't seen in comics before.  
There's not much to the story, but the artistic presentation and creepy mood make this one a winner!
SCRIPT: Jack Miller
PENCILS: Jack Sparling
When a failed artist is given some clay by a mysterious stranger, he is able to create incredible pieces of art far beyond his talent.  Unfortunately, each of his statues bears the face of a person killed by strange means each time he completes his work.  
When the artist refuses to create any more statues, the mysterious stranger returns and forces him to finish one final work of art. . .with the stranger's own face.  When the stranger dies, it is revealed to the reader that he is a wizard who has been freed from an ancient curse.

Not a bad little story.  Not quite as good as the psychedelic ride of the first tale in this comic, but a decent follow up.  The story itself isn't really anything special, but it is well-written and interesting enough to hold the attention.  Once again, the art is what elevates things here.  This one features a dark, detailed, but slightly-exaggerated style that really captures the eye on each panel.  
So another winner. . .that's two for two!  Let's see if the streak can keep going.  NEXT!
SCRIPT: Len Wein
PENCILS: Jose Delbo
A patriot during the Revolutionary War named Abner Pringle rides out with Paul Revere and company to warn of approaching British forces, but his journey is cut short when he falls and hits his head.  
Waking up 195 years later, Pringle rides into modern Concord to finish his mission, but is astounded by the modern traffic and technology.  Narrowly escaping capture by the police, Pringle falls and hits his head again as the British army marches on Concord.

Well. . .I guess two outta three ain't bad.  This story is just okay and not any better than that.  It feels sort of like a rejected Twilight Zone script, has a pretty bad ending, and is backed up by some workmanlike art that serves to tell the story but doesn't do anything it absolutely doesn't have to.  
This story isn't BAD, but compared to the two previous offerings, it's just sort of. . .there.
(One page text story with illustrations)
PENCILS: Sal Amendola (?)
A noble prince fights his way through an enchanted swamp to rescue an imprisoned princess.  It's revealed at the end of things that the princess is actually a vampire and the prince is actually a werewolf.

This story is supposedly written by Egor, the narrator witches' monster servant, so it's a little hard to get through because of all the intentional misspelling and childlike grammar.  Given that, it's not a bad little tale, for a back of the book space filler.


Overall, not a bad little piece of supernatural fun!  Although the final tale is underwhelming and the text space filler story is sort of take it or leave it, the first two offerings here are pretty good stories backed up with some great artwork.
I can certainly recommend this one for anybody wanting some nicely-done Twilight Zone style stories resting under a fantastic Neal Adams cover.  It's a nice little nugget of Longbox Junk gold to keep your eye out for.
Up Next. . .
My comic lovin' daughter HATES crazy Halloween clowns. . .so how about a comic with one of my favorite crazy Halloween clown covers?  It's a Longbox Junk entry that SHE'S probably not going to want to read, but I invite the rest of you to join me for a look at 1980's House of Mystery #285!
Be there or be square!

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